水無瀨的町家

Atelier and I 坂本一成研究室

盡管延續(xù)了“散田之家”中套匣狀的空間配置，方形平面與中心柱的形式性卻消失了。墻面布置迎合基地的現(xiàn)狀，從而出現(xiàn)了微妙的斜度。建筑物的高度介于一層與兩層建筑之間。外墻采用了凹凸感的清水混凝土材質(zhì)，這就是所謂的“未完成”狀態(tài)，并以銀色漆面涂刷。既是虛構(gòu)，同時(shí)也是實(shí)存的；既是象征，同時(shí)也是物質(zhì)的。作為坂本初期代表作，兩義性的特征在其間被重疊編織。

Following in the footsteps of the nested spatial arrangement first explored in House in Sanda,Machiya in Minase doesn't part ways with the formalism of the square plan and central column.Site conditions are matched with the arrangement of walls to dictate the house’s slight,sensitive slants.Its height assumes an intermediate scale between one and two floors.The rugged concrete of the exterior walls,painted silver,is in a so-called“unfinished”state.It is at once fictitious and realistic;symbolic as well as substantive.These double-meanings,woven repeatedly into this representative early project,are characteristic of many of Sakamoto’s works.

業(yè)主：個(gè)人

建設(shè)地點(diǎn):日本，東京都八王子市

建筑設(shè)計(jì)：坂本一成

總建筑面積：102.0m2

設(shè)計(jì)時(shí)間：1969.04-1970.02

建成時(shí)間：1970.12

攝影/圖片版權(quán)：Atelier and I 坂本一成研究室

“未完成”

建造住宅的時(shí)候，達(dá)到齊整干凈的完美效果是一般施工人員的共識(shí)。而坂本卻特意容許了不整潔甚至粗野的墻面，而且使用了施工現(xiàn)場廢棄的模板，從而營造出鮮見的、搖曳的住宅立面。

Unfinished

When building a house,doing it nearly and completely is a commonly understood practice of general contractors.However,Sakamoto ventured to challenge this idea in his house,permitting -for example -abnormal and destabilized facades,introducing rough wall surface treatments,or doing away with on-site formwork.

3 一層平面圖

4 二層平面圖

5 南北方向剖面圖

6 從起居室一角望向二層空間

7 起居室面向道路一側(cè)的部分是家族團(tuán)聚的場所

8 二層西側(cè)臥室窗戶處望向起居室

環(huán)顧起居室，無論是木板墻還是混凝土墻，都被刷上了白色涂料，來嘗試著去消解不同材料所擁有的表層意義。餐廳右上方的墻面因?yàn)槭┕がF(xiàn)場的原因被改變了模板的接縫，因而暴露出內(nèi)部清水混凝土的痕跡。起居室中，住宅主立面右側(cè)突出的部分在室內(nèi)呈現(xiàn)出壁龕狀。高處的窗戶僅允許光與風(fēng)進(jìn)入，而將街道的喧囂與視線隔絕出室內(nèi)。

Viewing from living space,wood panel and concrete walls are both painted white -an experiment in eliminating the textural nuance of individual materials.Site conditions would alter the joints for the concrete formworks;as a result,unfinished traces are visible on the interior,for example,on the surfaces of the dining area wall.A protruding portion of the fa?adeat right is expressed as an alcove on the interior.A window positioned high,admits sunlight and wind while keeping nose and glimpses out.