合肥政務(wù)文化中心,安徽,中國
“高效”成為我們?cè)谶@個(gè)項(xiàng)目中關(guān)注的首要原則。設(shè)計(jì)的總體布局采用“圓形”為基形,以中央陽光大廳為核,中心層層向外擴(kuò)展,虛實(shí)空間交替層疊,既可以創(chuàng)造出富有層次與變化的空間感受,也營造出多維度的市民公共空間。完整、均衡、對(duì)稱、統(tǒng)一的建筑布局和環(huán)境景觀設(shè)計(jì),能夠使建筑群與政務(wù)文化新區(qū)的主軸線取得良好的“對(duì)位”和“對(duì)景”關(guān)系,從城市規(guī)劃和城市設(shè)計(jì)的高度解決了建筑與城市的對(duì)話關(guān)系,體現(xiàn)出建筑對(duì)新區(qū)建設(shè)的激活與融合。
“圓形”母題的政務(wù)服務(wù)區(qū)使得建筑各個(gè)部分的聯(lián)系最為便捷高效,首層面向多方向開放的政務(wù)服務(wù)大廳,體現(xiàn)新型政務(wù)辦公建筑民主、開放、高效的特點(diǎn)。分流式的交通組織很好地解決了建筑與廣場(chǎng)、基地與城市路網(wǎng)的銜接問題,系統(tǒng)化組織人流、車流、物流等各種流線。同時(shí)政務(wù)服務(wù)區(qū)的四季廳空間引入“生態(tài)概念”,室內(nèi)種植挺拔的棕櫚樹和南國熱帶植物,營造出綠色常青的怡人環(huán)境。采光頂局部區(qū)域留有自然通風(fēng)口,保證在炎熱夏季不開空調(diào)的情況下形成舒適的公共空間環(huán)境,極大地改善辦公條件、提升建筑的健康品質(zhì)。
“雙葉片”形的塔樓合理地考慮政府行政辦公的需求,與開放的“圓形”政務(wù)服務(wù)區(qū)形成整體統(tǒng)一而又各自獨(dú)立的空間布局,巧妙地解決行政類辦公私密性與服務(wù)類空間開放性的現(xiàn)實(shí)矛盾。建筑群雖以圓形為母題,但大尺度半徑的平面組合,使局部房間都能夠劃分成規(guī)整實(shí)用的矩形房間,十分便于使用。辦公空間采用彈性布局的概念,使得空間可分可合,從而實(shí)現(xiàn)建筑多用途和可持續(xù)發(fā)展的目標(biāo)。
合肥政務(wù)中心投入使用已逾10年,到目前來看在當(dāng)?shù)剡€是比較有標(biāo)志性的。值得一提的是當(dāng)我問到一些合肥市民關(guān)于這座建筑的看法時(shí),有很多人都覺得雙葉片的塔樓特別像一本翻開的書,進(jìn)而會(huì)聯(lián)想到“翻開合肥新的篇章”的美好寓意,這是我們?cè)趧?chuàng)作時(shí)沒有預(yù)料到的?!酰辖?文)
In the deserted new 12.67km2district, the construction of the Hefei Government Cultural Center had the mission to promote urban development and stimulate the city's vitality. Most of the domestic administrative buildings have singular function, and it is pervasive for them to have contrary efect to public life. While designing the building, we focused on how to improve the government's service efficiency and quality for the people, and integrate the government, public service, conference and exhibition, public culture,and other diverse departments into one building.
"Efficiency" is the prioritized principle in this project. The overall layout of the design employs "circles" as the basis and regards the central sunshine hall as the core to expand the center outward,with virtual space alternately stacked, creating not only a spatial feeling with various changes but also a multidimensional public space. A completed,balanced, symmetrical, and unified architectural layout and environmental landscape design allow the building group to forge a good "contra-position" and "scenery focal point" relationship with the main axis line of the Government Cultural Center in the new district. It has solved the problem of an interactive relationship between the building and city from the perspective of urban planning and design. Furthermore, it also manifests the activation and integration of the building for the new district construction.
The service area for government affairs with "circles" as the motif makes the various parts of the construction convenient and efcient. Te frst foor faces the multidirectional service hall of government affairs, illustrating the democracy, openness, and efficiency of the new government office building. Te fow-divided trafc organization has solved the connection problem between the construction and the square, and the basic and urban road network,to systematically organize the fow of people, trafc,logistics, etc. Simultaneously, the four-season office space has introduced the concept of ecology with tall palm trees and tropical plants planted within the room to create a pleasant and evergreen environment. Some parts of the daylighting areas have natural ventilation to provide a comfortable public space in summer without air conditioning,greatly improving office conditions and the building's health quality.
老徐記得女孩說她讀財(cái)會(huì)專業(yè):“我這種情況,為將來好找工作,可選的專業(yè)很少?!迸⒌目跉夂芷届o,并沒有夾雜任何怨懟。那種為前程憂慮的隱痛,就像一朵快速穿行的云,眨眼間就突破幽暗,被太陽鍍上金邊:“不過總算有大學(xué)肯錄取我,我蠻知足。找工作的事以后再說?!崩闲煊浀门⒁姷教麓膳枥镂孱伭牟舜a兒的驚喜,除了土豆絲、海帶絲、豆腐干絲和雪菜末這幾樣常備的,竟還有野芹菜和豌豆頭,有黃瓜絲和一種粉紅色的水蘿卜擦成的絲,有南瓜絲,女孩說:“比我們學(xué)校食堂還豐富。”
The duo-blade tower building has rationally considered the government administrative office and created a spatial layout with the open and "circular" service area for government affairs that is uniform and dependent on skillfully solving the realistic contradiction between the privacy of the administrative office and openness of the service space. Te building group uses "circles" as the motif. However, the plan layout with a large-scale radius divides the local room into regular rectangular rooms that are very convenient to use. The office space applies the concept of flexible layout so the space can be divided or integrated. The goal is to ultimately realize multi-usages of building and sustainable development.
Hefei Government Cultural Center has been in service for more than a decade; it is also quite a local landmark. It is worth mentioning that when I ask Heifei's residents to comment about the building,many think that the duo-blade tower building is like an open book; furthermore, it will be associated with the good moral "opening a new chapter in Hefei," which we did not expect while designing. □(Text by MENG Jianmin)
項(xiàng)目信息/Credits and Data
設(shè)計(jì)團(tuán)隊(duì)/Design Team: 孟建民,侯軍,劉瓊祥,王麗娟,朱建群等/MENG Jianmin, HOU Jun, LIU Qiongxiang,WANG Lijuan, ZHU Jianqun, et al.
用地面積/Site Area: 218,164m2
建筑面積/Floor Area: 182,563m2
設(shè)計(jì)時(shí)間/Design Time: 2003
1 外景/Exterior view
2.3 剖面/Sections
4 外景/Exterior view
5 首層平面/Floor 1 plan
6 二層平面/Floor 2 plan
7 三層平面/Floor 3 plan
8 四層平面/Floor 4 plan
9.10 內(nèi)景/Interior views
評(píng)論
左玉瑯:建筑表征城市精神
一個(gè)城市選擇什么樣的建筑作為標(biāo)志,可以反映這個(gè)城市的文化和精神。地處合肥市政務(wù)文化新區(qū)中軸線終端上的合肥市政務(wù)文化中心,由中軸廣場(chǎng)逐級(jí)升高的地面銜接,由雙葉形布局的雙塔統(tǒng)領(lǐng)的多重圓環(huán)布局建筑群形成空間高潮,雙塔主樓有效地拓展了建筑的空間界面,與建筑群前寬闊的廣場(chǎng)及水面空間相匹配,建筑群與該區(qū)域的城市設(shè)計(jì)高度契合,形成這一地區(qū)的空間具有標(biāo)志性的形象。政務(wù)文化中心將政府辦公和市民服務(wù)功能沿環(huán)形建筑群展開,其開放的姿態(tài)和宜人的尺度打破了傳統(tǒng)政府建筑相對(duì)封閉的政治形象,展現(xiàn)了親民的姿態(tài)。建筑造型側(cè)重整體簡(jiǎn)潔的體型和嚴(yán)謹(jǐn)?shù)募?xì)部尺度劃分,有著古典的優(yōu)雅和現(xiàn)代的韻律。多環(huán)圈層的平面布局形成內(nèi)部多樣而豐富的空間,在尺度和空間意向上體現(xiàn)了安徽地方建筑的空間特色,有效解決了功能空間的通風(fēng)采光,有趣的是廣場(chǎng)大臺(tái)階下的辦公入口由大平臺(tái)形成入口空間,因?yàn)榫哂泻芎玫恼陉柡蛽跤甑墓π钍苁褂谜叩臍g迎。政務(wù)文化中心很好地體現(xiàn)了孟建民院士倡導(dǎo)的本原設(shè)計(jì)理念,在建筑藝術(shù)上有著時(shí)代的特征,體現(xiàn)了濃郁的人本精神。合肥選擇這樣的建筑作為標(biāo)志在一定程度上反映了這個(gè)新興城市的開放、創(chuàng)新和樸實(shí)的城市精神。合肥政務(wù)文化中心是這個(gè)城市的標(biāo)志性建筑,也是這個(gè)城市的標(biāo)桿性建筑。
Comments
ZUO Yulang: Architecture Presents the Spirit of a City
Te choice of an iconic building within a city is a representation of its culture and spirit. Hefei Government Cultural Center lies on the end of the main axis line of Hefei Government Afairs Culture New Area. It consists of duo-blade twin towers and a multi-circle-layout complex, connected by the gradually-raised ground in the central axis plaza. The main buildings of the twin towers effectively expand the spatial interface, to match the spacious plaza and waterscape in front of the complex. Te group of buildings marries the urban design of the area, which allows them to become landmarks in the region. Hefei Government Cultural Center places government administrative and civic service areas along the inside of the circularlayout complex. Te open layout and pleasant scale break the conventional political image of government buildings and endear it to the locals. Te architectural style focuses on simple forms and the rigorous division of detailed scale, which features classic elegance and modern rhythm. Te multi-circle layout creates a varied and diverse space and presents spatial characteristics of local architecture in Anhui in terms of scale and space. Tis layout skillfully solves the problem of ventilation and lighting in functional spaces. Te ofce entrance under the steps of the plaza wins warm praise from the public due to the large terrace creating favorable purposes for shading and rain shelter.Te Government Cultural Center fnely illustrates the MENG Jianmin's humanistic design philosophy. It features the characteristics of the period, while presenting a rich human-oriented spirit. Te choice that the city of Hefei made in choosing this kind of building as its landmark, refects the spirit of the city itself - open, innovative and simple. Hefei Government Cultural Center should be considered as iconic and a benchmark for architecture in this city.(Translated by Dandan Wang)
Hefei Government Cultural Center, Anhui, China, 2005