MAIN CONTENTS
2016-05-14 21:11:04
人民音樂 2016年8期
A Report of the Chinese Conductor William Lius Contributions to the Disciplinary Construction of Chinas Contemporary Musical Education Xiao Wenli（4）
Congratulatory Message for the 80th Anniversary of
Professor Cao Lis Birth Gao Jie（10）
The New Music Rooted in Chinese and Western Traditions：
A Report of Maestro Pan Huanglongs Musical Career
Luo Jimin （14）
A Review of Professor Zhang Dihuas 60 Years of Career
As a Musician and Educator Yan Ruoyu（21）
On Professor Yuan Jingfangs Problem Consciousness
and Methodology Reflected in Her Book Musical
Typology Wang Yaohua（28）
Professor Yuan Jingfang As the Founder and Promoter of
Chinas Long Distance Musical EducationXiao Xuejun（26）
My Thoughts on Identification Inspired by “Impressions： Rediscovering Chinese Music” Concert Sun Weibo（31）
A Review of Composer Qu Xiaosongs Works Mong Dong， Chinese Semi-Cursive Calligraphic Writing and Ancient
Tunes with Analyses Wang Jue（34）
In-depth Study of Maestro Shi Wanchuns Compositions
for Film & Television Productions Xiao Yu（38）
Impressions of Virtuoso Zhang Weiliangs “Dizi and Xiao Concert” Wang Minghui & Song Kebin（42）
On the Technical Style and Theories of Piano Accompaniment for Art Songs Li Yuping（44）
A Report of the National Symposium on the Inheritance
and Innovation of Traditional Chinese Musical Theories
Our Correspondent Rong Yingtao（48）
My Analysis of the Chinese Singer Lei Jias Recreation in
Her Performance of the Chinese Opera Mulan Psalm Shi Yibing（50）
Dionysian Ecstasy and Apollonian Lucidity： A Study of the
20th Century Religious Music From the Perspective of
Modern Aesthetics Yang Hua（53）
On the Relationship Between Maestro Shen Xingong and
the Nanyang College Alumni Association Gu Yumei（56）
A Study of the Preservation of Musicians Manuscripts
and the Musical Documentations Collection： The Conception
and Implementation of “Rao Yuyan Musical Database”
Liu Rongdi（60）
On the Inheritance and Revitalization of Traditional
Chinese Practice for the Collection and Recreation of
Folk Music： A Report of the 1st China Yuefu Forum
Guo Yaolin（64）
A Review of the Musical Education Activities of the
Japanese Teacher Tikamori Tekio During His Stay in
China in the Late Qing Dynasty
Wu Yanhui & Song Boyuan（66）
My Reflections on the Computer Recognition of Musical Emotions Liu Jun&Liu Jun（72）
A Journey From Necessity to Freedom in Search of a Second Self： A Review of Evgeny Igorevich Kissins Paris Recital Xi He（76）
Conceptions and Practices of “Musical Writings” From
the Perspective of Ethnomusicology： A Review of Professor
Shen Qias Book Introduction： The Descriptive Morphology
of Music Chen Jinling（79）
An Exploration to the Inner World of the Late Taiwan
Maestro Jiang Wenye： Preface to Complete Works
of Jiang Wenye Wang Cizhao（82）
A Study of the Aesthetic Preferences of the Elderly
People Towards the Basic Musical Elements： Exampling
Pitch， Rhythm， Tempo， Interval， Melody， and Cadence
Huo Xiangnan（86）
Writing Truth of the Heart： A Review of Professor Song
Jins Book Basics of Musical Aesthetics Wang Wenzhuo（90）
My Reflections of Bo Teletus Book Performance， Text，
Context and Inheritance： Studies of the Oral Tradition of Mongolian Music Ouyang Shaoqing（93）
