琴臺美術館

一直以來，“AT建筑”始終堅持對建筑空間、形式、結構、材料、建造、尺度、場地、環(huán)境等建筑學基本問題的深度探討。“AT建筑”品鑒活動因疫情延遲半年，作為回歸后推出的第一個作品，琴臺美術館再合適不過，雖然與柳亦春/大舍建筑設計事務所之前設計的龍美術館西岸館同為清水混凝土建筑，卻體現(xiàn)著許多完全不同的特質。微微隱于湖景山色中，露出的起伏屋頂?shù)陌咨叫斡质翘撚诔鞘泻蛨龅氐?；走在屋頂漫游步道自下而上，匍匐向大地的自然綠色與探向空中的純凈白色之間逐級過渡;自由曲面的超大屋蓋之下，正交體系的高大展墻向上直抵頂端，近人尺度的展覽空間又有種沉靜的流動感；從巧妙找形的外部屋頂?shù)饺斯ぱň影愕膬炔烤勐淇臻g，從立面到平面都釋放著一種張力……建筑面對城市、自然的姿態(tài)既抽象、又具象；建筑形式與空間的自由既感性、又理性；數(shù)字技術的介入與建筑本體的表達既靠近、又疏離。以上所有都是技術被精確控制之后建筑師對建筑藝術性的凝練呈現(xiàn)——外部回應城市與自然的場所策略，內部回應空間與建造的本體策略，兩者共存的狀態(tài)構成了一個矛盾的綜合體。這一作品固然表達了建筑師的某種既有觀念，但它的突破和挑戰(zhàn)才是值得關注和期待的，這也正是我們推薦琴臺美術館的最重要理由。

"AT Special" has always insisted on the in—depth discussion of the space,form,structure,material,construction,scale,site,environment,and other basic architectural issues."AT Special" appreciation activity was delayed for half a year due to the epi—demic.As the restarting appreciation proj—ect,Qintai Art Museum is very appropriate which is a as—cast finished concrete building same as the Long Museum (West Bund)designed by Liu Yichun/Atelier Deshaus,but it embodies several completely different qualities.Although the building is slightly hidden in the lake and the mountain scenery,the white mountain—shaped undulating roof stands out from the city and site.Walking on the rooftop walkway from bottom to top,there is a step—by—step transition between the natural green creeps towards the earth and the pure white peeks into the air.Under the free—form oversized roof,the orthogonal tall exhibition walls reach up to the top,but the exhibition space nearer to people has a quiet sense of flowing.From the cleverly shaped exterior roof to the artificial cave—like interior colony space,from the fa?ade to the plan,a kind of impressive tension is released......The gesture of the architecture facing the city and nature is both nonobjec—tive and figurative;the architectural form and the freedom of space is both sensual and rational;the intervention of digital technol—ogy and architecture essence is both close and alienated.After the technology is pre—cisely controlled,all the above become the condensed presentation of the architect's artistry of the architecture,that is,the exter—nal site strategy responses to the city and nature,and the internal strategy responses to the essence of space and construction,their coexistence constitutes a paradoxi—cal integration.There is no doubt that this project expresses some of the architect's innate ideas,but it is the breakthrough and challenges that are worth of attention and anticipation.And this is the most important reason for us to recommend Qintai Art Mu—seum.