標(biāo)準(zhǔn)營造，北京，中國

建筑設(shè)計：標(biāo)準(zhǔn)營造

標(biāo)準(zhǔn)營造，北京，中國

建筑設(shè)計：標(biāo)準(zhǔn)營造

1 室內(nèi)，東向/East view, interior

標(biāo)準(zhǔn)營造新工作室位于青年湖公園北門附近，由原址上的一座老廠房改造而成，至今沿街仍保留了原先的工業(yè)立面。室內(nèi)的空間源于“屋中屋”的想法，一些小設(shè)施房（包括接待、衛(wèi)生間、文件儲存等）漂散于一個大而完整、流線自由的空間。

屋頂由一些預(yù)制的木結(jié)構(gòu)支撐，增加了高度，也大大縮短了建造時間。充足的日光通過天窗和屋頂?shù)男逼聻⑾蚴覂?nèi)。一塊厚混凝土板充當(dāng)了延伸出去的平屋頂，并為木結(jié)構(gòu)提供了基座，避免結(jié)構(gòu)柱的出現(xiàn)，保持了主空間的完整性。

天花板采用卡洛·斯卡帕翻修建筑中常出現(xiàn)的威尼斯石膏壓光。地面由工作區(qū)的水泥地和討論區(qū)的木地板組成，兩塊區(qū)域均裝有地暖。衛(wèi)生間內(nèi)部的水池與照明，通過和墻與天花板的緊密關(guān)系，在空間和形式上與建筑達(dá)成一體化。

The new ZAO/standardarchitecture studio, located to the North of Qingnian Lake Park, was renovated from an aged warehouse, with its old industrial facade still displaying on the street front. the interior has grown from the idea of "room inside room", with of a couple of service rooms floating amidst a free flowing, unified space.

Some prefabricated wood structures support the roof, raising the height and shortening the construction time. An ample amount of daylight sheds in through the skylights and along the slanted roof. A concrete slab acts as a flat roof extension, as well as the pedestal for wood trusses, thus leaving the main space column free. Air-conditioning units are hidden around the skylights behind plaster boards.

the ceiling is finished with Venetian Plaster, as found in many of Carlo Scarpa's renovation projects. the cement floor in the studio area transitions into wood floor in the discussion area, both facilitated with heating systems underneath. The bathrooms feature sinks and light fixtures stand out as distinct architectural elements, engaging formally and spatially with walls and ceilings.

9 外景/Exterior view

3 首層平面/Floor 0 plan

項目信息/Credits and Data

主創(chuàng)建筑師/Principal Architect: 張軻/ZHANG Ke

設(shè)計團(tuán)隊/Design Team: 張軻，孫偉，Joao Dias Pereira, Margret Luise Domko，孫青峰，戴海飛，趙晟，石倩蘭，Nathalie Frankowski，王風(fēng)，楊欣榮/ZHANG Ke, SUN Wei, Joao Dias Pereira, Margret Luise Domko, SUN Qingfeng, DAI Haifei, ZHAO Sheng, SHI Qianlan, Nathalie Frankowski, WANG Feng, YANG Xinrong

基地面積/Building Area: 2163m2

建筑面積/Floor Area: 580m2

設(shè)計時間/Design Period: 2013-2014

攝影/Photos: 陳溯/CHEN Su

4 入口前臺/Entrance and reception

評論

戴春：這個工作室空間讓人有一種秩序統(tǒng)領(lǐng)下的散漫感，保留的工業(yè)立面形成的完整的室內(nèi)墻面，天窗和斜坡屋頂組織了光線的軌跡，令空間有了一種畫廊的特質(zhì)，與相對協(xié)調(diào)的材料一同讓空間有了一種秩序感；一系列功能空間既隨意又刻意地散落在這個長向的空間中，讓空間呈現(xiàn)出自由流動的狀態(tài)；這些散落的空間又找尋了不同的角度，透過落地窗形成與合院的對話。這種刻意而彌散的空間讓人有了一種不確定感，這似乎正是標(biāo)準(zhǔn)營造想要呈現(xiàn)的效果。在不經(jīng)意間促進(jìn)設(shè)計師間的自由交流，形成某些可能相互激發(fā)的氛圍，這大約是有創(chuàng)新力的工作室特別期待的。

范悅：從資料上看，內(nèi)側(cè)表面用威尼斯石膏壓光的傾斜屋頂是為了增加空間的高度，很有可能是改造后加的。木結(jié)構(gòu)與鋼筋支撐這兩種不同素材的簡易節(jié)點做法，與通過側(cè)高窗灑下的光線一起，共同演繹了空間的美學(xué)。使用木模板澆筑出來的混凝土墻面，與威尼斯石膏壓光的表面質(zhì)感相對照，產(chǎn)生較為粗糙的表情效果。由以上兩種材質(zhì)所構(gòu)成的室內(nèi)空間，與一般常見的新舊對比的手法相比，并未特意強調(diào)改造后的新舊之間的痕跡，因而產(chǎn)生連續(xù)洞窟般的空間意蘊。

5 討論區(qū)/Discussion area

Comments

DAI Chun: the space of this studio impresses people with its discrete structure governed by an overall concrete order. The interior walls made up of the retained industrial fa?ade, together with the roof window and the slope roof, allow the light to follow fixed trails, creating a gallery-like spatial quality. this quality, coupled with the relatively matching material, contributes to the orderliness of the Studio. On the other hand, a series of functional zones are arbitrarily and deliberately scattered in this longitudinal space, creating a fluent freedom. From different angles, these scattered zones are trying to communicate with the courtyard through the window. In such a deliberate and discrete space, one may have a sense of uncertainty, which seems to be the exact effect that the Standard Architecture would like to attain. It may be what an innovative studio manages to achieve: to inadvertently promote free exchanges among designers and to form certain atmosphere that would stimulate their mutual inspiration.

6 工作全景/Working scene

FAN Yue: Seen from the data, the sloping roof with its inner surface press-polished by Venetian Plaster is built to increase the height of the space, which is likely to be added after the renovation. The simple node approach composed of two different materials of wooden structure and steel reinforcement, together with the light coming through the side window, interprets the aesthetics of the space. The concrete walls cast by wooden framework forms a contrast to the texture of press-polished Venetian Plaster surface, thus creating an expressive effect of roughness. Compared with the usual approach of contrasting the old with the new, this interior space created by these two kinds of materials does not deliberately highlight the traces after the renovation, thus producing a spatial implication in its continuous, cavern-like form.

ZAO/standardarchitecture, Beijing, China, 2015

Architects: ZAO/standardarchitecture

7 剖面/Section