IDEO Morph 38住宅樓，曼谷，泰國(guó)

建筑設(shè)計(jì)：頌倫建筑師事務(wù)所

IDEO Morph 38住宅樓，曼谷，泰國(guó)

建筑設(shè)計(jì)：頌倫建筑師事務(wù)所

1 從東北方向看住宅樓/View from the northeast

這個(gè)項(xiàng)目遠(yuǎn)離高密度和擁擠的素坤逸路，處于一個(gè)令人愉悅的綠色低密度住宅區(qū)。項(xiàng)目被分為兩個(gè)高塔以使容積率最大化，每棟建筑以不同特性的租戶作為目標(biāo)人群。

建筑設(shè)計(jì)大膽地聲明綠色的態(tài)度，讓自然的概念能夠植入并融入到建筑的形式中。建筑外部的可持續(xù)性設(shè)計(jì)以垂直花園作為點(diǎn)綴，微型綠色陽(yáng)臺(tái)為周圍環(huán)境增加了精致和寧?kù)o。

兩座高塔在視覺上通過一個(gè)折疊的“樹皮”外殼相互連接，環(huán)繞包裹32層的后塔和10層的復(fù)式住宅前塔。外部的表皮是預(yù)制混凝土板、格網(wǎng)和花槽的結(jié)合體。表皮具有從遮陽(yáng)到遮蔽空氣冷凝機(jī)組等多種功能。西側(cè)和東側(cè)被戰(zhàn)略性地設(shè)計(jì)為綠色墻面，契合熱帶的太陽(yáng)方位。這面墻在前塔的高度為65m，在后塔的高度為130m，分別為住戶和鄰居提供了舒適的視覺和自然的環(huán)境。

前塔以單身者和年輕夫婦為目標(biāo)，為他們提供面積為23.3m2的最小單元。這些復(fù)式住宅在立面垂直方向上通過多變的陽(yáng)臺(tái)和空氣冷凝機(jī)組表達(dá)出來(lái)。這座建筑里的公寓以小面積控制單元總價(jià)，使它們更易于被低收入人群接受。

與之相對(duì)，后塔以家庭為目標(biāo)，強(qiáng)調(diào)水平性和懸挑空間。它具有多種單元尺寸和類型，包含單床和一個(gè)書房的組合、帶有私人游泳池和花園的復(fù)式單元（8層），以及4床的頂層閣樓。在北側(cè)，每個(gè)單元懸挑出2.4m的起居空間，圍以三面玻璃墻，從而提供最廣闊的視野。南側(cè)的單元各自擁有一個(gè)空間靈活可變的半室外陽(yáng)臺(tái)，雙層的滑動(dòng)玻璃窗使常規(guī)的陽(yáng)臺(tái)能夠轉(zhuǎn)變?yōu)槭覂?nèi)起居空間的擴(kuò)充。

IDEO Morph 38是一棟高層建筑，與其身處的低層住宅文脈形成強(qiáng)烈的對(duì)比，并與環(huán)境形成共生的關(guān)系。其敏感的設(shè)計(jì)語(yǔ)言和綠色墻面，使這棟建筑擁有一種自然的美感，從而在為周邊地區(qū)和城市提供一個(gè)愉悅的環(huán)境的同時(shí)，成為一座地標(biāo)建筑。

IDEO Morph 38真實(shí)地表達(dá)了復(fù)雜的當(dāng)代城市生活。通過將垂直空間最大化的巧妙設(shè)計(jì)和對(duì)現(xiàn)代化儲(chǔ)物空間的功能性的強(qiáng)調(diào)，建筑所傳達(dá)出的奢華真諦被加以放大?！?（李若星 譯）

The scheme is located away from the density and congestion of Sukhumvit road and in a blissfully green low-rise residential area. The development has been separated into two towers to maximize plot ratio, and each building targets potential tenants with differences in character.

The architectural perspective boldly states the green attitude allowing the concept of nature's embrace to be implanted and integrated in the form of the building design. The sustainable design of the exterior has been adorned with vertical gardens. The pocket green balcony adds the exquisite setting and serenity to the surrounding ambience.

The two towers are visually interconnected through a folding "Tree Bark" envelope that wraps around from the 32-storey rear tower (Ashton) and 10-duplex-storey front tower (Skyle). This outer skin is a combination of precast concrete panels, expanded meshes and planters. The functions of the skin vary from being a sun shading device to covering air condensing units. The bark on the west and east side becomes green wall, in accordance to the tropic sun's orientation. The height of this wall is 65m on the front tower and 130m on the rear tower, respectively providing the residences and neighbors with a comfortable visual and natural environment.

Skyle targets singles or young couples and the smallest unit footprint is 23.3m2. These duplex units are expressed vertically with a variation in their balconies and condensing units. Apartments in this building have a small footprint in order to control the overall unit price and make them more affordable for those with smaller incomes.

In contrast, Ashton emphasizes horizontal and cantilevered spaces and is targeted to families. The unit sizes and types vary from a single bed with a reading room, to duplex units with a private swimming pool and a garden on 8thfloor and a four bed duplex penthouse at the top level. A 2.4m cantilevered living space projects from each unit on the north side. This is made up of a glazing enclosure on three sides and provides the maximum view. Each unit on the south has a semi-outdoor balcony which is flexible space. The double layer of sliding windows allows for a transition between a conventional balcony to an extended indoor living area.

The IDEO Morph 38 is a high rise building which is located in stark contrast to the low-rise residential context. The project has a symbiotic relationship with the environment. Due to its sensitive design language and the green populated facade, the buildings have a natural aesthetic, making them a pleasant environment for the neighborhood and the city.

The IDEO Morph 38 truly represents sophisticated urban living in the modern day. It captures the meaning of luxury and amplifies it with the ingenious design that maximizes vertical space alongside the emphasis on stylish functionalities of storage space.□

項(xiàng)目信息/Credits and Data

客戶/Client: Ananda Development PCL.

室內(nèi)設(shè)計(jì)/Interior Designers: Fix Design, Dot Line Plane Company Ltd.

場(chǎng)地面積/Site Area: 5320m2

A塔/Tower A: 總建筑面積/Gross Floor Area: 10884.82m2，地上10層、地下2層/10 Floors with 2 basements，單元面積/Unit Size: 23.2-37.3m2，單元數(shù)量/Number of Units: 162

B塔/Tower B: 總建筑面積/Gross Floor Area: 26157.57m2，地上32層/32 Floors without basement，單元面積/Unit Size: 52.5-114.9m2，單元數(shù)量/Number of Units: 179

設(shè)計(jì)時(shí)間/Design Period: 2008.12

攝影/Photos: W Workspace(Fig.1,9), Somdoon Architects(Fig.3), Spaceshift Studio(Fig.4,5)

2 首層平面/Floor 0 plan

1-主入口/Main entrance

2-門衛(wèi)室/Guard house

3-車行道/Drive way

4-客人下車處/Drop off

5-人行道/Walk way

6-車庫(kù)入口/Carpark entrance

7-停車位/Parking lots

8-景觀/Landscape

9-門廳/Lobby

10-管理室/Management room

11-機(jī)房/M&E room

12-零售商店/Retail

3 前塔的垂直綠化/Green wall on the fa?ade of Skyle

4 被“樹皮”包圍并限定出的后塔泳池空間/Swimming pool space enclosed and defined by the "tree bark" on Ashton

5 復(fù)式單元的雙層空間反映在前塔的立面上/Double spaces of duplex units reflected on Skyle's fa?ade

6 前塔頂層復(fù)式住宅下層平面/The 9thlower floor plan of Skyle

7 前塔頂層復(fù)式住宅上層平面/The 9thupper floor plan of Skyle

8 前塔剖面圖/Section of Skyle

1-電梯間/Lift lobby

2-空中花園/Sky garden

3-健身房/Gym

4-地下停車庫(kù)/Basement parking

5-避難平臺(tái)/Refuge platform

6-機(jī)房/M&E room

7-景觀/Landscape

8-行車道/Drive way

9 位于后塔頂層的游泳池和花園/Swimming pool and garden on the 31stfloor of Ashton

評(píng)論

祁斌：這是一個(gè)在人口密集的大城市里常見的高層LOFT公寓項(xiàng)目，建筑師面對(duì)復(fù)雜城市生活嘗試了實(shí)現(xiàn)居住個(gè)性的探索?？吹贸鲎髌烦鲎猿墒焓聞?wù)所，手法嫻熟、用心縝密，幾乎策無(wú)遺算。采用立體單元方式，在高層居住單元內(nèi)呈現(xiàn)出某些低層居住方式才有的空間趣味，繼而將這種設(shè)計(jì)邏輯延伸到建筑表皮，在規(guī)則的立面格構(gòu)體系里嵌入了豐富的語(yǔ)言變化。深度不同的外挑陽(yáng)臺(tái)讓建筑呈現(xiàn)出邏輯中非邏輯、理性中非理性的浪漫。高層建筑外墻面點(diǎn)綴垂直花園，細(xì)小單元設(shè)置精湛的綠色陽(yáng)臺(tái)，細(xì)節(jié)里透露出對(duì)自然的渴望。

郝琳：縱景下的視平線

像大多數(shù)的亞洲大都市一樣，曼谷正朝天空發(fā)展。欲將現(xiàn)代的幕墻式高層住宅融合泰國(guó)的特色和生活方式的話，通常可以來(lái)自一些常規(guī)的套路。比如，展開更多的立面層次，外表做出垂直綠化，間或融入高層庭園。顯然，IDEO Morph 38用上了所有的這些類似楊經(jīng)文的橋段，而且竟然也未損地產(chǎn)效益，還巧妙地對(duì)應(yīng)了開發(fā)形態(tài)的多樣性選擇。至于所謂的標(biāo)志性，在我看來(lái)，實(shí)則是籍由陽(yáng)臺(tái)、空調(diào)盒、樹池、雙層挑窗這樣的凹凸有致的組織而達(dá)成。如此的建筑，縫合或根本是在挑戰(zhàn)曼谷混亂無(wú)度和漫無(wú)邊際的都市計(jì)劃。這樣的手法，比之藤本壯介旋轉(zhuǎn)木馬式的瘋狂挑臺(tái)和米蘭的樹塔，算是小兒科了。但這樣愈來(lái)愈多的人造縱景的現(xiàn)象，到底是東南亞都市識(shí)別性的起步與新視平線？抑或根本是熱帶氣候下高層建筑變革中的隔靴搔癢呢？

Comments

QI Bin: This is in essence a typical high-rise loft apartment building located in a densely populated urban area. The architects attempt to explore a strategy of individualized living in a context of urban complexity. It's very clear that this is a design from a mature firm with skill and careful thoughts, and that it was executed with few errors. Using a three dimensional system of modules, this high-rise building manages to create some fun spaces that typically only occur in low-rise apartment buildings. This design logic extends to the facade of the building, which embeds rich variation within a regular trellis system. The overhanging balconies of differing depths allow the architecture create a romance between logic and chaos, the rational and irrational. The vertical gardens on the building's facade, the small exquisite planted balconies and all the other details come together to reveal a deep appreciation of nature.

HAO Lin: Verticality and Identity Horizon

Like all of Asia's mega cities, Bangkok is developing towards the sky. There are a few strategies for integrating contemporary curtain wall high-rise residential towers with the Thai character and "lifestyle": applying layers to the facade, incorporating embedded green spaces into the tower, and adding vertical green. IDEO Morph 38 apparently uses almost all of Ken Yeang's tricks, but does so without sacrificing property value and actually achieves a very diversified product package. The building is iconic-an effect achieved through a wild mix of flying balconies, airconditioning boxes, tree pits and bay windows. The strategy actually challenges the endless sprawl and chaos of Bangkok urbanism. This strategy is certainly not a big deal when compared with Sou Fujimoto's carousel-styled balconies or Milan's Bosco Verticale. The phenomenon of artificially green towers is becoming more and more prevalent. But is it a new horizon for Southeast Asia's urban identity, or is this scratching in a path of high-rises an evolution of a tropical scene?

IDEO Morph 38, Bangkok, Thailand, 2013

Architects: Somdoon Architects