Analysis of the combination of traditional technology form and exhibition space structure

Abstract：In today's society，modern people call for tracing the inheritance of traditional crafts，and the traditional crafts form of intangible cultural heritage is more and more valued and concerned by people. In the application of its exhibition space，people's requirements for the application of elements in traditional crafts form are also gradually improved. In the design of exhibition space，we should follow the cultural background and characteristics of the objects to be displayed，extract their technological elements，and skillfully create a suitable artistic conception of space. Therefore，we should adopt a comprehensive design method，first of all，we should show their unique，original and personalized artistic conception by means of the symbolic method of physical state - "Yisheng"，and then we can arrange them with a strong sense of form and visual language In the atmosphere，it tends to be diversified，and obtains unique aesthetic value through the establishment of ontology language;then it uses the method of scene Association - "winning by circumstances" to restore the local characteristic style. From the perspective of the study of the space design of displaying Miao's traditional craft form culture，this paper discusses the Miao's life custom and the application and analysis of the characteristics of wooden building structure in Guizhou Province，and tries to analyze the specific application of Miao's cultural characteristics in the contemporary exhibition space design in the hope of being able to apply the characteristics of Miao's traditional craft form in the contemporary exhibition space design The modern exhibition space art design provides the reference function and the enlightenment function.

Key words：traditional craft;form;exhibition space;structure

In the exploration of traditional technological structure，the tradition is abstract. Only through the exploration and excavation of deep memory can it become the phenomenon we see now. In order to protect and inherit the endangered technology，we need to publicize it to more people. Therefore，we should combine the special structure of modern exhibition space with the traditional technological form to form a new display effect，so as to better We should spread and educate people about our excellent traditional crafts and splendid culture.

1.The basic situation of traditional process structure

The development origin of Miao traditional craft.Miao's traditional craft is an important part of Miao's cultural system. It is because of its special artistic inner and unique aesthetic value that people look at it differently. According to the aesthetic habits of their own ethnic groups，Miao craftsmen created their own style of personalized features，thus creating a piece of art with such "different culture" features. Their forging skills are constantly consolidated due to the needs of their daily life，and also become the cultural symbols used by the nation for identification.

Their unique construction and dyeing characteristics are also symbolic cultural symbols of Miao culture. The ancient Miao architecture features Miao stilts，Miao wind and rain bridge，Miao Drum Tower and temple Pavilion，all of which are made of wood structure. It is characterized by wood tenon and wooden column，without iron nails，solid，seamless and different shapes. Its architecture is also based on the "people-oriented" concept of "heavy servitude"，The house is designed with the characteristics of "human" figure，and "review the situation and suit each situation"，combining with the functional requirements of local objects.

Miao's dyeing and weaving features are more brilliant in clothing，which provides us with valuable visual basis for today's research. Miao dyeing is a traditional process，called batik，which is simple in color and full of local characteristics. They will integrate the culture of their own nation into their clothes and wear them for generations and never forget them.

Analysis on the construction technology of traditional craft wood structure Wood structure building is the mainstream of the old era. From the primitive society to the slave society，we are used to using wood materials as the main materials of house building. It is the construction technology of traditional craft wood structure that is constantly evolving and improving in the corridor of history，becoming more and more stable，reasonable and beautiful.

（1）Lifting beam type wood structure. Beam column structure system includes lifting beam wood structure. His construction feature is to build columns on the stone foundation，and then frame beams on the wooden columns to build purlins with beams;therefore，the structure is thick. It was widely used in the old buildings. And using this structure to build can get larger space，the space is relatively flexible.

（2）Through bucket wood structure.Some experts pointed out that the dry fence style building contributed to the emergence of the through bucket structure，while the through bucket wood structure belongs to the purlin column structure system. Its main feature is that the column directly supports the purlin，and then passes through and connects the column. The timber of this structure is small in material，flexible in structure and strong in wind resistance. This method is widely used in the south. Its biggest advantage is that it uses less materials，and the integrity is better;but the interior built by this kind of wood structure is also defective，that is，the columns are dense and the space is not open enough. Later，through the improvement，the ancient traditional wooden structure construction method appeared a new way - lifting beam type frame and through the bucket type mixed use，make full use of the various forms of mortise and tenon.

（3）well dry-type .Well dryness is to use wood to enclose a rectangular wooden frame，which is built in a way of layer by layer to form a wall shape bearing wood. This kind of structure was first used in the outer coffin of Shang Dynasty，and then in the tomb of Han Dynasty. However，this kind of construction method needs a lot of wood，and there are great limitations in the size of doors and windows. According to the survey，this kind of construction method is mainly used in the northeast region，which also proves that the climate and the construction method are very important

2.Exhibition space structure performance and characteristics analysis

Types of exhibition structure system.Exhibition structure consists of grid structure system，shell structure system，suspension structure system and membrane structure system. The grid structure system is a kind of spatial structure which is connected by many bars according to the specified grid shape through connection points. In the construction effect of this structure，the bearing capacity of the display space is small and the hardness is large，so it is a very stable structure. But its disadvantage is that the number of bars connected in each node is relatively large，and the construction and installation process is relatively complex compared with the plane structure form;the members of the reticulated shell structure system are built according to certain rules，and form a curved exhibition space structure through the connection of nodes;the suspension structure system is generally applicable to large-span buildings，such as exhibition Buildings such as the heart，museum，exhibition hall，etc. are composed of lower supporting members，cable forces and edge members;membrane structure is usually presented in the application of space structure with a special beautiful posture，which is to shape and change the structure shape through its own tension stretching.

Types of exhibition space system.In the exhibition space，designers create a variety of space environment with various construction structures，and the space form created by this construction technology can be called structural space. In the exhibition space display，there are many ways to use，such as open，closed，space flow form，virtual setting，sinking and so on. However，the function of the exhibition building determines the nature and characteristics of the space. Therefore，according to the exhibition building space，it can be roughly divided into three categories：core function space，traffic function space and supporting auxiliary function space.

3.The application of traditional craft form structure in modern display design

Analysis of the structure and form of the general application in the exhibition .The venue selected for the exhibition area is Jinan organic farm. The selected organic farm is located in a piece of farmland on the edge of the city. The basic function of the building is the organic food processing workshop. This farm is a new type of quadrangle design full of natural atmosphere and flexibility，which is redesigned based on the traditional quadrangle building，and integrates with the surrounding vast farmland. The building is mainly made of light wood structure，namely，wood frame wall，linoleum tile and translucent PC board. Through the way of modern design，under the combination of structure and material innovation，and under the background of internal environment and external fields，the farm successfully created a warm，harmonious symbiosis and modern environment.

Study on creating new exhibition environment by using original elements.In the design process of exhibition space，in order to highlight its traditional craft form，as well as the basic categories of craft aesthetics，such as the beauty of craftsmanship，modeling，color，material，technology，and form，etc. Combining the technological blue cloth with the curtain of modern technology to create the space relationship between the real and the virtual. At the same time，the combination of physical and virtual scene can create a better sense of image. The acquisition of image is the most basic part of modeling concept and aesthetic psychology. Traditional technology is a material entity created by people in the process of processing and transforming the nature according to the requirements of use，and at the same time，it uses the law of beauty in this process and injects its own aesthetic ideal. The proposition of "man is made according to the law of no gain" is the key to reveal the aesthetic problems of all material creation，including the creation of spatial structure. In the creation of this space，curtain and drape are the main objects. In addition，it can be used to block the space，form a flow space，and achieve transparent traffic without barriers;and guide the browsing trend in a directional way. The selection of some materials is also separated by transparent materials to maintain the circulation with the surrounding environment.

Building and displaying in the existing buildings also forms a kind of mother child space，which is limited to a small space by substantive or symbolic means，with certain domain and functionality. Two exhibition areas are selected in this exhibition area. In the first exhibition area，it mainly displays the planting of raw materials，the material and text description adopted;the display of weaving art;the interactive part of wax materials of batik;secondly，it also sets a place for commemoration and meditation in the special area. In the place of remembering and meditating，I have absorbed Taoist elements，which is the so-called negative Yin and embracing Yang of all things，and I think it's harmony. In dealing with the relationship with nature，ancient architecture fully embodies this idea. Once again，sit still and experience the mystery of traditional technology，the originality of culture and the "law of beauty". In the second display area，there are mainly interactive devices with modern means，including holographic projection display area and vivid performance activities of craftsmen. Such design originates from the sensibility of people's life and traditional technology，and also makes people have a deep impression on this traditional technology. At the same time，it is also the creation of living inheritance and aesthetic value. It protects the national tradition and the sustainable inheritance and development of various traditional crafts through various methods.

4.The research significance of traditional craft form to modern display design

Carrying historical memory and displaying cultural connotation.China has a profound traditional craft culture，as well as rich Oriental philosophical thinking and aesthetic spirit. Tradition is developing continuously in the corridor of history，and every time what we discard is outdated and backward. What we carry forward now is something with vitality in essence，which is worth spreading for thousands of years. It is the combination of space structure design theory and technical conditions，fully absorbing the connotation of traditional culture，and giving its soul to the new "body".

Inheritance and development of spiritual culture.Nowadays，the traditional craftsmanship in our country is more and more missing，and our protection of intangible cultural heritage is also an essential task. We should shoulder this flag，pick up this fragile，rigorous and near lost craftsmanship again，combine this traditional craftsmanship with modern design，inherit that tradition in modern display design，and push forward New，continuous development，and from the historical tradition to the modern display design，strive to make them achieve better value，at the same time，give their profound historical and cultural significance to the modern design，become an important part，connect the ancient and modern time and space，add luster to the new era，new Chinese characteristics.

Conclusion：Many traditional crafts in China are on the verge of extinction. Different traditional crafts should adopt different forms to combine with modern design perfectly. On this basis，we should promote the development of traditional crafts，continue traditional crafts and give them new vitality. In this paper，firstly，the traditional technological structure is briefly summarized，then the characteristics of exhibition space structure are analyzed，and several aspects of traditional technological structure and exhibition space structure design are studied. With a new visual means，the ancient and modern culture are combined，and the traditional technological structure is perfectly integrated into the exhibition space under the design of modern aesthetics。The most popular sentence in architecture is that architecture is "the history of stone" and also the solidified music. So are all kinds of forms in this traditional craft. It is irreplaceable in all aspects of our life. It is a primitive symbol，a symbol of Chinese traditional culture，which conveys the language and logo of this knowledge in silence，and it is also a modern one In the exhibition space structure，it is worth learning and using for reference.

作者簡介：霍帥（1991.0204—），男，漢族，山東德州，齊魯工業(yè)大學(xué)藝術(shù)設(shè)計學(xué)院，17級在讀研究生碩士學(xué)位，專業(yè)：設(shè)計學(xué)，研究方向：環(huán)境藝術(shù)設(shè)計。