地平線上的紅色音符

項(xiàng)目地點(diǎn)：中國(guó)浙江省湖州市安吉縣山川鄉(xiāng)

設(shè)計(jì)/建設(shè)時(shí)間：2018 年9 月～ 2019 年8 月

設(shè)計(jì)單位：酈文曦筑事務(wù)所

主持建筑師：酈文曦

設(shè)計(jì)團(tuán)隊(duì)：林上亮、來(lái)鵬飛、王紅鷹、葛勇建

施工圖配合：泛華建設(shè)集團(tuán)有限公司杭州分公司

施工單位：浙江省三建建設(shè)集團(tuán)有限公司

建筑面積：100 平方米

攝影/攝像：映社

Location: Shan Chuan Village, An Ji City, Zhe Jiang Province, China

Design / Construction time: 2018.09 - 2019.08

Firm: Li Wenxi Architects

Leading Architect: LI Wenxi

Design Team: Lin Shangliang, Lai Pengfei, Wang Hongying, Ge Yongjian

Construction drawing cooperation: PAN-CHINA Group Co., Ltd. Hangzhou Branch

Main Body Construction: Zhe Jiang Province SANJIAN Construction Co.Ltd.

Building Area: 100 m2

Photography/Video: Projection

山川鄉(xiāng)，群山環(huán)抱，位于中國(guó)湖州市安吉縣的最南端。我們?cè)诋?dāng)?shù)刂行男W(xué)門口設(shè)計(jì)了一個(gè)警務(wù)室，同時(shí)作為其溫泉景區(qū)的入口節(jié)點(diǎn)。

建筑是一種特殊的生命體，當(dāng)他開(kāi)始與地平線對(duì)話時(shí)，會(huì)獲得一種超然的力量。這種力量能夠形成一種氛圍，讓人陶醉其間。這次我們希望用一個(gè)小建筑，在大地樂(lè)章中，深深嵌入一個(gè)高音。

1、山川入懷

我覺(jué)得建筑中的人在望向遠(yuǎn)山的時(shí)候，身體應(yīng)該處與一種“被大地包裹”的狀態(tài)，人類的祖先就是在這種狀態(tài)下與自然發(fā)生了最初的對(duì)話。于是我們決定以“豎穴”作為設(shè)計(jì)的第一個(gè)動(dòng)作，即把建筑的一部分埋在地下。那么埋深多少才合適呢？經(jīng)過(guò)多次模擬，最終定在一米。

這樣，在看到遠(yuǎn)山之前，身體首先要進(jìn)入建筑的覆蓋之下，同時(shí)進(jìn)入的又不是那么深，保證上身在地面以上，從而產(chǎn)生一種與綿延起伏的地景相融合的空間體驗(yàn)。

為了達(dá)到這一效果，在實(shí)際施工過(guò)程中需要克服一些技術(shù)難題，比如大面積的開(kāi)挖可能導(dǎo)致地下水滲出，為此結(jié)構(gòu)設(shè)計(jì)師調(diào)整了方案，用整體式基礎(chǔ)來(lái)回應(yīng)這一建筑操作。

2、紅，超越紅色。

我們一直在尋找一種媒介，讓自然得以顯現(xiàn)。從材料上尋求色彩對(duì)比成為實(shí)現(xiàn)這一意圖的契機(jī)。紅色是具有感染力的色彩，他帶有明顯的情緒性傾向，紅色陶磚作為屋面，紅色鋼制幕墻體系作為表皮，紅色水磨石作為地面，這一系列差異的紅，讓紅色超越色彩，與遠(yuǎn)處的青山呼應(yīng)，而青山也在紅色建筑的映襯下顯現(xiàn)出來(lái)。

3、輪廓線的節(jié)奏

遠(yuǎn)山的起伏為建筑屋面的轉(zhuǎn)折提供了依據(jù)。從北側(cè)操場(chǎng)看，屋面逐漸進(jìn)入地面以下和場(chǎng)地融為一體。從南側(cè)道路看，建筑屋面向上展開(kāi)，迎接過(guò)往的人流。這一節(jié)奏的變化與場(chǎng)地的文脈和隱藏的功能訴求相一致。

建筑竣工之后，不論是接送孩子的家長(zhǎng)，進(jìn)山旅行的驢友，亦或是田間耕種歸來(lái)的村民，都愿意在這里駐足。他如高音，迎著太陽(yáng)，面對(duì)遠(yuǎn)山，奏響小鎮(zhèn)居民的幸福生活。

Shanchuan Township, surrounded by mountains, which is located at the southernmost tip of Anji County, Hangzhou City, China. We designed a police room at the entrance of the local central elementary school and served as the entrance node to its hot spring resort.

Architecture is a special kind of life. When it begins to talk to the horizon, it will gain a transcendental power. This power creates an atmosphere that is intoxicating. This time we hope to use a small building to deeply embed a high pitch in the earth movement.

1. Making the Mountains and Rivers Enter the Embrace

I think that when people in the building are looking at the distant mountains, their body should be in a state of being "wrapped by the earth." The human ancestors had an initial dialogue with nature in this

state. So we decided to use the "vertical hole" as the first action of the design, that is, to bury a part of

the architecture underground. So how much is the depth of the burial? After several simulations, it was

finally set at one meter.

In this way, before seeing the distant mountains, people must first enter the coverage of the building,

and at the same time enter the ground not so deep, to ensure that the upper body is above the ground,thus creating a spatial experience that body blends with the rolling landscape.

In order to realize this effect, some technical problems need to be overcome in the actual construction

process. For example, large-scale excavation may cause groundwater seepage, and the structural designer adjusted the scheme to respond to the building operation with a holistic foundation.

2. Red, Beyond Only the Color of Red.

We are always looking for a medium to make nature appear. Seeking color contrast from materials is an opportunity to achieve this. Red is an infectious color, with obvious emotional tendencies, red ceramic tiles as the roof, red steel curtain wall system as the skin, red terrazzo as the ground, the red of this

series of differences makes the red transcend the color of red, which echoing the distant green hills,and the green hills are also reflected in the red architecture.

3. The Rhythm of the Outline

The ups and downs of the distant mountains provide the basis for the turning of the building roof. From the north side of the playground, the roof gradually enters the ground and merges into the site. From the south side of the road, the building is facing up and welcoming the passing people. This rhythm change is consistent with the context of the siteas well as the hidden functional appeal.

After the completion of the building, whether it is the parents who pick up the children, the friends who traveled

into the mountains, or the villagers who returned from the field, they are willing to stop here. It is like a high

voice, facing the sun, facing the distant mountains, playing the prelude to the happy life of the town residents.

首層平面 first floor plan

總圖 master plan

剖面圖 section

等角圖 isometric drawing