• <tr id="yyy80"></tr>
  • <sup id="yyy80"></sup>
  • <tfoot id="yyy80"><noscript id="yyy80"></noscript></tfoot>
  • 99热精品在线国产_美女午夜性视频免费_国产精品国产高清国产av_av欧美777_自拍偷自拍亚洲精品老妇_亚洲熟女精品中文字幕_www日本黄色视频网_国产精品野战在线观看 ?

    Funny Business

    2019-07-01 02:37:48EmilyConrad
    漢語世界(The World of Chinese) 2019年3期
    關(guān)鍵詞:簡史小品劇場

    Emily Conrad

    Does China lack a funny bone? Traditional performing genres of humor, like crosstalk, have long been dominated by a closed apprenticeship system, while sketch “comedies” on the CCTVs Spring Festival Gala have become the byword for politically safe and flat jokes. For the last decade, an underground group of stand-up comedians have been trying to change the stagnant image of Chinese comedy, and it seems their efforts are being finally rewarded by the recent rise of venture capital-backed “comedy startups,” which sign young comics for contracted offline performances and online comedy shows. Yet the continued pressure of monetizing their talent, as well as the mercurial attention of censors, leave many grassroots performers still wondering—what does it take to get a laugh in China?

    當(dāng)代中國幽默簡史:從劇場的相聲、春晚的小品,到電視上的脫口秀、互聯(lián)網(wǎng)上的搞笑短視頻,幽默產(chǎn)業(yè)經(jīng)歷了一次又一次變革

    Thirty minutes before showtime, a young Chinese crowd is already thronging the entrance of Shanghais Comedy UN, whose latest location in an office building near Nanjing Road still smells of fresh paint. Inside, dance music pulsates through the small, dark theater as 32-year-old comedian-owner Storm Xu fidgets, preparing for the nights performance.

    Xu is no stand-up newbie, having quit his day job at General Motors in 2015 to found Comedy UN. “I didnt want to keep performing in sh***y rooms,” he explains. “For comedy performances in China, a lot of owners of cafes and bars will let you use their space. But they actually couldnt care less about comedy; all they want to do is increase foot traffic.”

    His club, which holds 130 folding chairs, now organizes up to six performances each week with a roster of 20 Mandarin and 15 English-speaking comedians. “I feel fulfilled being able to nurture other talents and give them a venue for their comedy,” he tells TWOC, noting that comedy venues in Mandarin were non-existent when he returned to his native Shanghai in 2012, after studying in Australia. Back then, Xu had exclusively performed at English-language open mic nights, regaling expat audiences with gripes about his ex-girlfriend.

    Now, he performs entire Mandarin stand-up shows for the Chinese military—a sure sign of the rising popularity of this imported comedy form in China. One major reason is the plethora of new platforms, from short-video apps like Douyin and Kuaishou to self-produced web shows and podcasts, which allow comedians to create and promote their own content.

    According to Beijing-based comic Daniel Dan, this model is unprecedented in Chinas entertainment industry. “The idea of a ‘grassroots artist is a relatively new concept. [Traditional entertainers] had to study at a drama institute or underneath a master. Very rarely were talents ‘discovered like in the West,” he notes, discussing his own uncommon beginnings as a biochemistry-turned-English major at the Beijing Institute of Technology. “But for modern stand-up, you can make your own career.”

    According to David Moser, dean of Peking Universitys Yenching Academy and a scholar of Chinese humor, a master-apprentice lineage was essential of Chinas traditional xiangsheng (“crosstalk”) comedy prior to 1949. But even after the founding of the PRC, a rigid model persisted as danwei, or state-operated work units, hired performers to learn Beijing-dialect xiangsheng and sent them to perform around the country. “Comedy became highly politicized because it was viewed as a mechanism to help standardize spoken Chinese,” Moser explains.

    Comedy first saw a revolution in the 1980s through television—namely CCTVs annual Spring Festival Gala. Its inaugural broadcast in 1983 featured xiangsheng comedians as hosts, and skits which satirized everyday conditions, albeit avoiding overtly political topics. “China was in the process of urbanizing, and a lot of skits featured country bumpkins moving to the city and essentially getting everything wrong in the process,” says Moser. “It resonated [with] what real people were going through.”

    Eva Hart, an amateur stand-up who grew up in Jilin province, agrees. “I remember when I was a girl, every punchline of every joke from the Gala inevitably became phrases of the year.” One of her favorite skits, from 2001, featured Northern comic Zhao Benshan tricking a healthy man into exchanging his bicycle for old crutches.

    “Now, most people just watch it to make fun of it,” Hart notes with a trace of sadness. Indeed, todays audiences have found the Galas attempts to address modern topics to be toothless at best, and offensive at worst (a 2018 skit in blackface, “celebrating” Sino-African relations, comes to mind). While Hart chalks up the Galas decline to more sophisticated audience tastes and media competition, others blame censors over-caution about satirizing socio-economic schisms.

    The comedy revolution continued with the commercialization of Chinese television during the 1990s. “When CCTV started selling television advertising, it meant that the ‘free money to produce whatever sort of comedy show you wanted was gone,” says Moser. “To survive, comedy had to become more market-savvy, and began to look for inspiration from modern life, as well as from the West.” This not only led to a decline in xiangshengs visibility, but also the rise of sitcoms, from 1993s I Love My Family to 2009s Love Apartment (inevitably, inspiration often led to imitation: the latter was accused of cribbing whole plots and jokes from American standards like Friends and How I Met Your Mother).

    Stand-up was conspicuously missing from this line-up. Bilingual comic Jesse Appell, the Boston-born founder of Beijings US-China Comedy Center, thinks that the language itself was a challenge: “Mandarin has no linguistic, cultural, or historical equivalent to stand-up comedy,” he tells TWOC. “Anything thats funny that is not traditional xiangsheng is simply referred to as ‘talk show (脫口秀, tu4k6uxi&). Even a podcast can be a ‘talk show if its funny.”

    Things began to change, though, in 2010, when Chinese-American comic Huang Xi, better known in English by his stage name, Joe Wong, performed at the annual Radio and Television Correspondents Association Gala in Washington D.C. Videos of Wongs act went viral in the mainland due to the way he poked gentle fun at then-US Vice President Joe Biden, who was in attendance. The Jilin natives mockery of his own career path—hed obtained a PhD in biochemistry from Rice University, before pursuing comedy—also resonated with mainland comics.

    In 2013, Wong returned to China to host a CCTV show—a big morale boost for the local Beijing comedy scene. The following year, Canadian comic Mark Rowswell, or Dashan, known as Chinas “most famous foreigner” for his performances of xiangsheng on state TV in the early 90s, returned “on a mission to introduce Western stand-up to China…working the [national] university circuit on his own dime,” according to The Atlantic.

    Tony Chou of Jinan, Shandong province, was one of the new generation of comics drawn to stand-up by videos of Wong. Like Comedy UN owner Xu, Chou began attending English-language open mic nights in 2013, and recalls the difficulties many of his peers had with the format. “In the early days, you would see a lot of Chinese comedians going up on stage with scripts or flashcards in their hands, or frantically trying to memorize their jokes in front of the mirror before the show,” Chou laughs. “They didnt understand improvisation, and viewed stand-up comedy as funny drama.”

    In 2014, visiting Irish comedian Des Bishop asked Chou to help him start a comedy club, Youmo Xiaoqu (幽默小區(qū), Humor Section), which put on Chinese shows roughly once a month. Chou picked up the slack once Bishop left China, quitting his reporter job at CCTV and establishing a long-running partnership with The Bookworm, a popular Beijing bookstore where Youmo Xiaoqu now hosts a weekly show. Having recently celebrated the clubs five-year anniversary, Chou boasts to TWOC that the club is profitable even without a permanent venue, with a pool of 60 Beijing-based comedians and 100 others across China.

    Even so, Chou supplements his income with a day job as a producer, writer, and performer for internet portal Sohu, corporate gigs, and Chinese shows on the Norwegian Cruise Line. He also appeared in a Hong Kong film. “At the moment, the only way a Chinese person can do stand-up full-time is if they take another job in the industry: running shows; finding television or hosting jobs, or managing and owning their own club,” notes David Jacobs, the manager of Beijings English-language Comedy Club China.

    One challenge of live performances in China is that increased profitability can come at the risk of government involvement: “Open mic nights and shows cant get too big, or else it might make the government uneasy and they may put restrictions on crowds,” Daniel Dan notes. “But how can you make real money with small crowds?”

    Storm Xu claims that the risk of operating Comedy UN is “not worth losing any sleep over.” When crackdowns come, however, they can be sudden and sometimes permanent. Comedy Club China lost its former venue at a café in Beijings Wudaokou quarter after an audience member complained about a joke on a social issue. “Our open mic nights are kind of in a gray space. Besides, large gatherings of foreigners attract government attention, especially if they are giving unscripted speeches,” manager Jacobs explains.

    Jacobs cites the sudden closure of Shanghais Kung Fu Komedy club, shortly before last Octobers China International Import Summit, as a cautionary tale. Previously credited with making Shanghai Chinas “comedy capital,” the influential clubs shuttering sent shockwaves across the scene, though former co-owner Andy Curtain has stated it was “l(fā)ess dramatic than it sounds” when authorities came to the club during a Wednesday open mic night: “They were like, ‘Yeah, youre not allowed to do this anymore,” he told the “Lost in America” podcast in March. There were options to re-open, but after consideration, Curtain decided it was like “putting a Band-Aid on a sinking ship.”

    Live comedy is not the only medium that has had to deal with sudden regulatory reversals: In July 2018, Youkus localized version of Saturday Night Live was taken down without explanation soon after release (then returned quietly, with a second season announced for this coming June.) Last year, Neihan Duanzi, ByteDances popular app for memes and humorous videos, was abruptly shut down for “vulgar content,” much to the disappointment of its 30 million users. One anonymous user lamented: “When Duanzi was censored, I felt a certain pain in my heart, like someone had taken my child from me.”

    “Humor doesnt have to be political to be funny,” Moser comments. “Older comedians who have already developed their craft seldom complain. However, the younger generations, who are trying to create something new, feel [the government influence] much more strongly.”

    Tony Chou knows this all too well: In 2017, he was employed by Sohu to perform on the popular late-night internet talk show, the Liang Huan Show. Despite quickly gaining popularity, only nine of the 12 episodes of the season were broadcast; five can still be found on the internet. Reportedly, the show fell on the wrong side of the authorities due to a single joke. “As comics, we all understand that we need to be within the boundaries of some line,” Tony Chou comments. “The problem is that the line is always changing.”

    Some comics have dealt with this by self-censoring. The Chinese system often leads the countrys comics to overly rely on self-deprecation, according to Hart. “In China, you can focus your jokes on your own individuality, but not individuality in the context of society.” Many of Harts jokes revolve around her American husband, and few Chinese comics develop ideas beyond family drama, dating issues, or job pressures.

    That doesnt mean that Chinese comedy is devoid of diversity: Dan, who claims to have the “self-awareness” to stay away from political topics, often delves into his experiences growing up in a small Hunan village as a member of the Yao ethnic minority. One joke relates to the village custom of putting a 5 kuai bill in a dead persons open coffin, which led confused outsiders at the funeral to try to “one-up” one other by throwing in larger and larger denominations.

    Hart believes that comedy remains empowering, in spite of these challenges. Comparing it to Chinas traditional xiangsheng, which is scripted and takes a long time to master, she notes that “stand-up is based on your own story; your own perspective. Everyone can participate because no one is the same. Everyone has a unique voice and perspective that are theirs alone.”

    For Dan, this was what drew him to comedy in the first place, after shows like Friends and Shameless helped him deal with depression during university. “When I first went to a comedy open-mic night…it was less about comedy and more like therapy,” Dan recalls. “I hated studying biochemistry and I was in the process of coming out. I remember I started my set with a self-introduction, ‘My name is Daniel Dan. I am gay. Then my dad died and I turned to comedy to cope. For a while, I would start my set with, ‘My name is Daniel Dan. My dad just died.”

    The days of independent comics and unique perspectives may be numbered, however, as “comedy start-ups” flood the scene with venture capital. Sensing the advantages to monopolizing young talent, companies like Fun Factory (Xiao Guo Culture Company), Dan Li Ren, and Beijing Talk Show Club are hiring stand-up performers under exclusive contracts, funneling them into affiliated web shows or offline clubs and tours—and in the process, creating a model strikingly similar to the master-apprentice relationships of the past.

    Beijing-based Dan Li Ren is funded by Tudou, the Alibaba-backed streaming site on which their contracted comics perform. In 2017, Shanghais Fun Factory purchased the Chinese rights to Comedy Central Roast, a web program in which comedians poke fun at a celebrity, after securing 120 million RMB from China Media Capital and Wang Sicong, scion of the Wanda Group.

    Within a year, Fun Factorys localized version, Roast, had racked up over 3.6 billion views on streaming platform Tencent Video. “Everyone wanted to do stand-up after that,” Dan explains. “But the TV show producers were from a different era; they didnt have a clue how to incorporate Western-style comedy into their programs.” As the companys stable of TV and web shows became increasingly varied, more comics were needed to fill the slots, but Chinas underdeveloped stand-up scene proved problematic. “Stand-up was underground and there was only a limited number of truly talented and experienced comedians,” says Dan.

    The competition within this small pool was cutthroat—often to the detriment of local comedy scenes. One independent comedian told TWOC anonymously that Shenzhen was one of the hardest-hit scenes, as comics relocated to Shanghai with their Fun Factory contracts. Many are lured by the prospect that, if their offline performances under the company get laughs, theyll have a direct pipeline to be cast in Fun Factory or its investors online programs.

    More established comics are concerned by the effect these companies may have on the nascent stand-up scene, noting that the terms of the contract can be exploitative and monthly salaries are low, especially for young talents. The aforementioned anonymous comedian compared the business model unfavorably to that of the shared-bike industry, in the fierce competition to accrue talent and debt just to gain market share. “Their incentive is not to create the best comedy, but to grow their own teams.”

    “Creativity is not just about investing money and getting a return; the equation is much more complicated than that,” notes Tony Chou. While he is excited about the new capital flooding into the comedy sphere, he worries that market influences could cause stand-up to follow the “K-pop model”—“putting less emphasis on the individual and just finding good-looking people to tell jokes that other people write for them.”

    In spite of these concerns, Daniel Dan is currently signed to a start-up (which he declined to name), and is grateful to be allowed to make a living from his craft. His day job requires writing and directing Mandarin-language sketch comedy for other contracted comics at the companys clubs in Beijing, leaving his evenings free for his passion—English-language stand-up. “Jokes cannot be written in an office somewhere. The industry requires offline performances for the audience to determine if your ideas and jokes are actually funny,” observes Dan, who explains that he hopes to “explain China to the world” through his comedy.

    Tony Chou, though, is still doubtful of the new models sustainability, noting that many web shows—the holy grail for comics, as well as investors—last only a couple of seasons. His work with Sohu has opened Chous eyes to the unforeseen considerations of profit-making in programs, which often rely on one major underwriting sponsor because “most platforms assume people wont pay for content.”

    “In the West, there is one major stakeholder—the audience,” reflects Chou, who is set to star in a forthcoming Sohu program modeled after Conan OBriens eponymous show. “In the Chinese model, you must worry about the audience, the sponsor, as well as the government. Producing something that all three can agree on is a nearly impossible task.”

    Still, Chou remains optimistic, noting that lower-tier cities are developing their own scenes. Independent clubs are popping up in cities like Shenyang, Xian, Qingdao, Xiamen, Taiyuan, Shijiazhuang, Chengdu, and Suzhou, though the best local talent still risk getting “poached” by comedy start-ups in Shanghai or Beijing.

    “Stand-up comedy is on the rise and we must protect it,” Chou notes with hope. “If we follow the early days of rock-and-roll in China—if we dont make waves, we will definitely succeed.”

    3 Comics?to Watch

    Da Peng

    When his eponymous Sohu talk show was called out by Conan OBrien for copying the latters opening credits, Da Peng capitalized on the attention with skit show Diors Man, which had guest stars like The Big Bang Theorys Johnny Galecki. The Jilin native also stars in movies, performing alongside Fan Bingbing in 2016s I Am Not Madame Bovary.

    Wang Zijian

    From 2012 to 2017, Wang Zijian was considered the face of modern Chinese comedy. He was the host of Post-80s Talk Show Tonight, an American-style late-night show that aired on Dragon TV. Trained in traditional crosstalk, the Beijing-born Wang has been seen on CCTVs Spring Festival Gala.

    Guo Degang

    Heralded as the “savior of crosstalk,” Tianjin-born Guo Degang has overcome his humble roots (he never finished middle school) to become one of Chinas best-known comics. He is known for constantly feuding with colleagues and even his own students; and his career somehow survived an anti-vulgarity campaign waged against him by the government.

    猜你喜歡
    簡史小品劇場
    命題小品——覆雨翻云
    《宋朝簡史》等
    杭州(2022年7期)2022-05-07 23:57:05
    《臨宋人小品》
    書的簡史
    歡樂劇場
    幼兒園(2020年24期)2020-04-07 12:52:00
    (小品)《加班飯》
    (小品)《一年又一年》
    心的簡史
    散文詩(2017年19期)2018-01-31 02:47:14
    未來已來——《未來簡史》閱讀有感
    論《日出》的劇場性
    最近中文字幕2019免费版| 午夜福利视频1000在线观看| 亚洲美女搞黄在线观看| 免费av观看视频| 亚洲精品aⅴ在线观看| 少妇熟女欧美另类| 国产 一区 欧美 日韩| 日日摸夜夜添夜夜添av毛片| 国产成人精品久久久久久| 日韩制服骚丝袜av| 午夜老司机福利剧场| 亚洲不卡免费看| 午夜免费男女啪啪视频观看| 亚洲欧美精品自产自拍| 国产男人的电影天堂91| 国产真实乱freesex| av在线老鸭窝| 亚洲国产高清在线一区二区三| 亚洲欧洲国产日韩| 久久6这里有精品| 欧美3d第一页| 亚洲欧美日韩东京热| 亚洲欧美精品自产自拍| 亚洲内射少妇av| 国产亚洲av嫩草精品影院| 国产乱人偷精品视频| 欧美日韩国产亚洲二区| www日本黄色视频网| 欧美性感艳星| 特大巨黑吊av在线直播| 成年版毛片免费区| 亚洲欧洲国产日韩| 亚洲欧美清纯卡通| 观看免费一级毛片| 亚洲精品aⅴ在线观看| 亚洲精品色激情综合| 日韩欧美精品免费久久| 在线播放国产精品三级| 亚洲欧美精品自产自拍| 久久久精品94久久精品| 欧美xxxx性猛交bbbb| 啦啦啦韩国在线观看视频| 亚洲av日韩在线播放| 日韩三级伦理在线观看| 能在线免费观看的黄片| 国产伦理片在线播放av一区| www日本黄色视频网| 91在线精品国自产拍蜜月| 国产单亲对白刺激| 色5月婷婷丁香| 亚洲真实伦在线观看| or卡值多少钱| 久久精品久久久久久久性| 午夜免费男女啪啪视频观看| 免费看a级黄色片| 青春草亚洲视频在线观看| 三级毛片av免费| 天堂av国产一区二区熟女人妻| 麻豆久久精品国产亚洲av| 国产高清视频在线观看网站| 国产片特级美女逼逼视频| 国产免费又黄又爽又色| 精品人妻偷拍中文字幕| 一级毛片久久久久久久久女| 亚洲人成网站在线播| 久久久久国产网址| 高清日韩中文字幕在线| 午夜爱爱视频在线播放| 日韩在线高清观看一区二区三区| 日韩精品青青久久久久久| 成人特级av手机在线观看| 最近2019中文字幕mv第一页| 国产午夜精品论理片| 欧美日本亚洲视频在线播放| 99久久无色码亚洲精品果冻| 尤物成人国产欧美一区二区三区| 精品一区二区三区人妻视频| 国产精品三级大全| 啦啦啦啦在线视频资源| 久久鲁丝午夜福利片| 婷婷色综合大香蕉| videossex国产| 精品久久久久久久久久久久久| 在线观看66精品国产| 亚洲av.av天堂| 春色校园在线视频观看| 国产欧美日韩精品一区二区| 婷婷色麻豆天堂久久 | 在线播放无遮挡| 2022亚洲国产成人精品| 免费搜索国产男女视频| 99热这里只有是精品50| 国产三级中文精品| 国产黄片视频在线免费观看| videos熟女内射| 国产一级毛片七仙女欲春2| 有码 亚洲区| 亚洲一级一片aⅴ在线观看| 男插女下体视频免费在线播放| 又黄又爽又刺激的免费视频.| 成年女人看的毛片在线观看| 狂野欧美激情性xxxx在线观看| 免费观看的影片在线观看| 美女高潮的动态| 亚洲,欧美,日韩| 亚洲成人中文字幕在线播放| 两个人视频免费观看高清| 精品欧美国产一区二区三| 亚洲精品乱码久久久v下载方式| 免费观看精品视频网站| 2022亚洲国产成人精品| 91在线精品国自产拍蜜月| 亚洲美女搞黄在线观看| 午夜福利网站1000一区二区三区| 久久综合国产亚洲精品| 色尼玛亚洲综合影院| 国产av码专区亚洲av| 亚洲av免费在线观看| 久久久久网色| 搞女人的毛片| 丰满人妻一区二区三区视频av| 亚洲四区av| 99久久精品一区二区三区| 久久精品久久久久久久性| 久久鲁丝午夜福利片| 亚洲怡红院男人天堂| 18禁裸乳无遮挡免费网站照片| 亚洲在线观看片| 日本免费一区二区三区高清不卡| 少妇裸体淫交视频免费看高清| 国产精品久久久久久久久免| 国产极品精品免费视频能看的| 日本猛色少妇xxxxx猛交久久| 中文字幕精品亚洲无线码一区| 国产伦理片在线播放av一区| 高清日韩中文字幕在线| 久久精品国产亚洲网站| 欧美最新免费一区二区三区| 97在线视频观看| 99热这里只有是精品在线观看| 日本熟妇午夜| 七月丁香在线播放| 亚洲成人久久爱视频| 国产成人一区二区在线| 国产精品人妻久久久影院| 最近2019中文字幕mv第一页| 黄色日韩在线| 成人特级av手机在线观看| 又爽又黄无遮挡网站| 国产黄片美女视频| 欧美一区二区国产精品久久精品| 国产69精品久久久久777片| 大香蕉久久网| 国产一区二区在线av高清观看| a级毛色黄片| 黄色配什么色好看| 久久精品影院6| 国产精品国产三级国产专区5o | videossex国产| 联通29元200g的流量卡| 亚洲成人中文字幕在线播放| 亚洲国产色片| 看免费成人av毛片| 少妇的逼好多水| 婷婷色av中文字幕| 精品一区二区三区人妻视频| 女人十人毛片免费观看3o分钟| 国产高清三级在线| 国产真实伦视频高清在线观看| 欧美成人a在线观看| 国产探花在线观看一区二区| 久久久久精品久久久久真实原创| 久久精品夜色国产| 最近中文字幕2019免费版| 有码 亚洲区| 极品教师在线视频| 午夜福利高清视频| 六月丁香七月| 欧美高清成人免费视频www| 黄片wwwwww| 亚洲va在线va天堂va国产| 麻豆一二三区av精品| 精华霜和精华液先用哪个| 男人的好看免费观看在线视频| 午夜免费男女啪啪视频观看| 97超视频在线观看视频| 亚洲欧美精品综合久久99| 成年女人看的毛片在线观看| av在线播放精品| 亚洲人成网站高清观看| 男女下面进入的视频免费午夜| 亚洲最大成人手机在线| 国产精品乱码一区二三区的特点| 麻豆国产97在线/欧美| 91精品国产九色| 免费观看在线日韩| 国产精品女同一区二区软件| 一级毛片aaaaaa免费看小| 亚洲精品日韩av片在线观看| 日韩高清综合在线| 国产成人freesex在线| 国产精品人妻久久久影院| 美女高潮的动态| 夜夜看夜夜爽夜夜摸| 中国国产av一级| 色尼玛亚洲综合影院| 日韩一本色道免费dvd| 狠狠狠狠99中文字幕| 天堂网av新在线| 深夜a级毛片| 午夜免费激情av| 搡老妇女老女人老熟妇| 亚洲久久久久久中文字幕| 寂寞人妻少妇视频99o| 青青草视频在线视频观看| 午夜久久久久精精品| 婷婷色麻豆天堂久久 | 精品人妻偷拍中文字幕| 男人的好看免费观看在线视频| 尾随美女入室| 一边亲一边摸免费视频| 久久久久久久久久久丰满| 2022亚洲国产成人精品| 国产老妇伦熟女老妇高清| 内射极品少妇av片p| 久久久久久久久久黄片| 亚洲美女搞黄在线观看| 国产精品无大码| 久久久色成人| 免费av不卡在线播放| 综合色av麻豆| 观看免费一级毛片| 国产精品av视频在线免费观看| 亚洲欧美日韩卡通动漫| 丝袜喷水一区| 久久这里只有精品中国| 女人被狂操c到高潮| 精品一区二区三区人妻视频| 一级毛片我不卡| 欧美日韩国产亚洲二区| 丰满乱子伦码专区| 联通29元200g的流量卡| 国产不卡一卡二| 午夜爱爱视频在线播放| 中文亚洲av片在线观看爽| 免费大片18禁| a级一级毛片免费在线观看| 久久亚洲精品不卡| 蜜桃亚洲精品一区二区三区| 汤姆久久久久久久影院中文字幕 | 国产美女午夜福利| 亚洲av日韩在线播放| 男女视频在线观看网站免费| 在线播放无遮挡| 黑人高潮一二区| 晚上一个人看的免费电影| 成人毛片a级毛片在线播放| 久久韩国三级中文字幕| 免费看光身美女| 床上黄色一级片| 内地一区二区视频在线| 免费观看a级毛片全部| 亚洲国产色片| 亚洲中文字幕一区二区三区有码在线看| 最近中文字幕高清免费大全6| 秋霞伦理黄片| 长腿黑丝高跟| av在线老鸭窝| 99热网站在线观看| 午夜精品国产一区二区电影 | 91精品一卡2卡3卡4卡| 色吧在线观看| 亚洲不卡免费看| 村上凉子中文字幕在线| 51国产日韩欧美| 中文亚洲av片在线观看爽| 91在线精品国自产拍蜜月| 少妇的逼水好多| 国产欧美另类精品又又久久亚洲欧美| 99久久人妻综合| 亚洲国产精品sss在线观看| 亚洲成人久久爱视频| 欧美日韩一区二区视频在线观看视频在线 | 久久午夜福利片| 国产午夜精品论理片| 国产黄a三级三级三级人| 国产久久久一区二区三区| 日本与韩国留学比较| 国产淫片久久久久久久久| 国产老妇女一区| 久久99热这里只频精品6学生 | 亚洲精品色激情综合| 欧美成人午夜免费资源| 26uuu在线亚洲综合色| 国产精品国产三级国产专区5o | 女人被狂操c到高潮| 精品人妻偷拍中文字幕| 久99久视频精品免费| 中文亚洲av片在线观看爽| 色播亚洲综合网| 尾随美女入室| 18禁在线播放成人免费| 18+在线观看网站| 精品午夜福利在线看| av线在线观看网站| 日韩精品有码人妻一区| 亚洲国产成人一精品久久久| 哪个播放器可以免费观看大片| 免费在线观看成人毛片| 日韩精品青青久久久久久| 久久久国产成人免费| 夜夜看夜夜爽夜夜摸| 天天躁日日操中文字幕| 女人久久www免费人成看片 | 亚洲成人av在线免费| 校园人妻丝袜中文字幕| 欧美人与善性xxx| 国产精品爽爽va在线观看网站| 夜夜爽夜夜爽视频| 国产欧美另类精品又又久久亚洲欧美| 99热这里只有是精品50| 五月玫瑰六月丁香| 啦啦啦观看免费观看视频高清| av免费在线看不卡| videos熟女内射| 国产精品av视频在线免费观看| 极品教师在线视频| 久久精品国产自在天天线| 久久精品国产亚洲网站| 亚洲精品,欧美精品| 欧美xxxx性猛交bbbb| 永久免费av网站大全| 99久久精品国产国产毛片| 色网站视频免费| 日日摸夜夜添夜夜爱| 欧美激情国产日韩精品一区| 日本爱情动作片www.在线观看| 91精品一卡2卡3卡4卡| a级毛片免费高清观看在线播放| 国产免费又黄又爽又色| 变态另类丝袜制服| 国产精品电影一区二区三区| 成年女人永久免费观看视频| 看片在线看免费视频| 国产亚洲91精品色在线| 欧美97在线视频| 爱豆传媒免费全集在线观看| 夜夜爽夜夜爽视频| 国产成人福利小说| 久久这里有精品视频免费| 亚洲av成人av| 中文字幕久久专区| 一本—道久久a久久精品蜜桃钙片 精品乱码久久久久久99久播 | 少妇猛男粗大的猛烈进出视频 | 在线播放无遮挡| 久久久精品94久久精品| 久久久久久久久中文| 国产精品三级大全| 国产又色又爽无遮挡免| 亚洲最大成人av| 18+在线观看网站| 淫秽高清视频在线观看| 91狼人影院| 深爱激情五月婷婷| 久久精品国产亚洲av涩爱| 欧美性感艳星| 成人高潮视频无遮挡免费网站| 午夜亚洲福利在线播放| 大香蕉久久网| 午夜福利在线观看吧| 人人妻人人澡人人爽人人夜夜 | 久久久久网色| 精品人妻偷拍中文字幕| 三级国产精品片| 只有这里有精品99| 久久精品国产99精品国产亚洲性色| 国产精品福利在线免费观看| 美女高潮的动态| 国产一区二区三区av在线| 久久精品国产99精品国产亚洲性色| 亚洲国产精品sss在线观看| 久久精品国产99精品国产亚洲性色| 日韩欧美精品v在线| 三级国产精品片| av播播在线观看一区| 国产亚洲一区二区精品| 少妇人妻一区二区三区视频| 特大巨黑吊av在线直播| 亚洲国产av影院在线观看| 99久久人妻综合| av片东京热男人的天堂| 欧美精品高潮呻吟av久久| 自拍欧美九色日韩亚洲蝌蚪91| 久久国产精品男人的天堂亚洲 | 国产成人一区二区在线| 久久97久久精品| 少妇高潮的动态图| 亚洲综合精品二区| 边亲边吃奶的免费视频| 久久人人爽人人片av| 国产精品成人在线| 国产精品久久久久久久久免| 亚洲国产av影院在线观看| av在线app专区| 爱豆传媒免费全集在线观看| 日韩欧美一区视频在线观看| 色吧在线观看| 韩国精品一区二区三区 | 巨乳人妻的诱惑在线观看| 大码成人一级视频| 久热这里只有精品99| 日韩中文字幕视频在线看片| 高清毛片免费看| 亚洲av电影在线进入| 亚洲情色 制服丝袜| 亚洲久久久国产精品| 国产av国产精品国产| 国产精品.久久久| av国产久精品久网站免费入址| 欧美日韩一区二区视频在线观看视频在线| 亚洲国产精品成人久久小说| 欧美日韩成人在线一区二区| 纯流量卡能插随身wifi吗| 日韩不卡一区二区三区视频在线| 丝袜喷水一区| 免费av中文字幕在线| 国产精品人妻久久久久久| 中文字幕最新亚洲高清| 97超碰精品成人国产| 综合色丁香网| 免费高清在线观看日韩| www日本在线高清视频| 中文天堂在线官网| 人妻系列 视频| 哪个播放器可以免费观看大片| 男人舔女人的私密视频| 色吧在线观看| 考比视频在线观看| 最近中文字幕高清免费大全6| 女人久久www免费人成看片| 美女内射精品一级片tv| 永久网站在线| 日韩一区二区三区影片| 国产极品粉嫩免费观看在线| 亚洲欧美色中文字幕在线| 精品久久国产蜜桃| 深夜精品福利| videossex国产| 寂寞人妻少妇视频99o| 欧美xxxx性猛交bbbb| 亚洲美女黄色视频免费看| 国产欧美日韩一区二区三区在线| 十分钟在线观看高清视频www| 青春草视频在线免费观看| 成人影院久久| 成人免费观看视频高清| 我要看黄色一级片免费的| 成人毛片a级毛片在线播放| a级毛色黄片| 成人黄色视频免费在线看| 18禁观看日本| 黑人高潮一二区| 亚洲人成网站在线观看播放| 日本av手机在线免费观看| 看十八女毛片水多多多| 热99国产精品久久久久久7| 久久免费观看电影| 欧美日韩亚洲高清精品| 黑人高潮一二区| 午夜免费男女啪啪视频观看| 亚洲色图 男人天堂 中文字幕 | 亚洲性久久影院| 少妇猛男粗大的猛烈进出视频| 狠狠婷婷综合久久久久久88av| 欧美日韩av久久| 香蕉国产在线看| 高清毛片免费看| 自拍欧美九色日韩亚洲蝌蚪91| 97超碰精品成人国产| 日日摸夜夜添夜夜爱| 免费女性裸体啪啪无遮挡网站| 欧美xxxx性猛交bbbb| 婷婷色综合大香蕉| 久久久久久久亚洲中文字幕| 欧美精品av麻豆av| 女人久久www免费人成看片| 久久国内精品自在自线图片| 午夜日本视频在线| 中文字幕亚洲精品专区| 中文精品一卡2卡3卡4更新| 中国美白少妇内射xxxbb| 国产免费视频播放在线视频| 午夜福利网站1000一区二区三区| 另类精品久久| 国产精品国产三级国产av玫瑰| 两个人免费观看高清视频| 视频中文字幕在线观看| 插逼视频在线观看| 最近的中文字幕免费完整| 国产一区二区在线观看日韩| 国产xxxxx性猛交| 国产精品女同一区二区软件| 人体艺术视频欧美日本| 少妇 在线观看| 精品国产乱码久久久久久小说| 久久久久久久亚洲中文字幕| 国产精品女同一区二区软件| 插逼视频在线观看| 青春草国产在线视频| 国产一区二区在线观看av| 秋霞伦理黄片| 国产免费视频播放在线视频| 亚洲av欧美aⅴ国产| 欧美成人精品欧美一级黄| 亚洲精品乱久久久久久| 一本一本久久a久久精品综合妖精 国产伦在线观看视频一区 | 最后的刺客免费高清国语| 一级,二级,三级黄色视频| 精品99又大又爽又粗少妇毛片| 国产欧美另类精品又又久久亚洲欧美| 亚洲,欧美精品.| 99久久综合免费| 久久久亚洲精品成人影院| 18禁观看日本| 国产亚洲午夜精品一区二区久久| 亚洲精品美女久久av网站| 国产精品嫩草影院av在线观看| 亚洲美女黄色视频免费看| 久久久a久久爽久久v久久| 搡老乐熟女国产| 久久久久久久久久人人人人人人| 曰老女人黄片| 久久精品久久久久久噜噜老黄| 成人综合一区亚洲| xxxhd国产人妻xxx| 国产成人精品无人区| 如何舔出高潮| 欧美精品国产亚洲| 九草在线视频观看| 国产片特级美女逼逼视频| 成人黄色视频免费在线看| 日本欧美视频一区| av在线播放精品| 纵有疾风起免费观看全集完整版| 纯流量卡能插随身wifi吗| 免费久久久久久久精品成人欧美视频 | av播播在线观看一区| 午夜福利视频在线观看免费| 在线观看美女被高潮喷水网站| 免费女性裸体啪啪无遮挡网站| 另类精品久久| 国产成人精品婷婷| 亚洲精品美女久久av网站| 亚洲国产精品成人久久小说| 日韩伦理黄色片| h视频一区二区三区| 中文字幕av电影在线播放| av网站免费在线观看视频| 中文字幕免费在线视频6| 夫妻午夜视频| 黑丝袜美女国产一区| 秋霞在线观看毛片| 中国三级夫妇交换| 国产毛片在线视频| 国产精品熟女久久久久浪| 观看av在线不卡| 秋霞伦理黄片| 99九九在线精品视频| 一区二区三区精品91| 午夜福利视频在线观看免费| 国产成人av激情在线播放| 国产成人精品无人区| 成年av动漫网址| 成人影院久久| 中文字幕人妻丝袜制服| 999精品在线视频| 亚洲内射少妇av| 波野结衣二区三区在线| 欧美成人午夜精品| 少妇的丰满在线观看| 日本黄色日本黄色录像| 国产精品99久久99久久久不卡 | 两性夫妻黄色片 | 免费播放大片免费观看视频在线观看| 80岁老熟妇乱子伦牲交| 人妻人人澡人人爽人人| 国产一区二区三区av在线| 青春草视频在线免费观看| 男男h啪啪无遮挡| 免费高清在线观看视频在线观看| 欧美精品高潮呻吟av久久| 国精品久久久久久国模美| 一级片免费观看大全| 国产日韩欧美亚洲二区| xxxhd国产人妻xxx| 日韩人妻精品一区2区三区| 涩涩av久久男人的天堂| 日本爱情动作片www.在线观看| av网站免费在线观看视频| 高清在线视频一区二区三区| 欧美日韩视频高清一区二区三区二| 亚洲av日韩在线播放| 亚洲美女搞黄在线观看| 亚洲av电影在线观看一区二区三区| 寂寞人妻少妇视频99o| 九九爱精品视频在线观看| 久久ye,这里只有精品| 永久网站在线| 亚洲美女搞黄在线观看| 黑人欧美特级aaaaaa片| 交换朋友夫妻互换小说| 亚洲少妇的诱惑av| xxxhd国产人妻xxx| 亚洲精品自拍成人| 亚洲欧美色中文字幕在线|