大足石刻研究院院長黎方銀：合作成效顯著，豐富我們對保護文化遺產(chǎn)的經(jīng)驗

大足石刻研究院院長黎方銀在接受記者采訪時表示，文化遺產(chǎn)是國際交流、文明互鑒的重要橋梁和紐帶。中國和意大利都是文化遺產(chǎn)大國，兩國在文化遺產(chǎn)保護，特別是文物修復(fù)和人才培養(yǎng)方面展開了多層次、富有成果的合作與交流。借助于兩國政府相繼簽署的一系列合作協(xié)議，大足石刻研究院與意大利文化遺產(chǎn)保護機構(gòu)相繼合作開展了“重慶大足石質(zhì)文物保護中心”和“大足石刻舒成巖摩崖造像保護”兩個項目，為實現(xiàn)大足石刻的長遠保護與研究奠定了良好的基礎(chǔ)。

Li Fangyin, head of Dazu Rock Carvings Research Institute, said in an interview with reporters that cultural heritage is an important bridge and link for international exchanges and mutual recognition of civilizations. Both China and Italy are big countries rich in cultural heritages. The two countries have carried out multi-level and fruitful cooperation and exchanges in the protection of cultural heritages,especially in restoration of cultural relics and personnel training. With the help of a series of cooperation agreements signed by the two governments, the Dazu Rock Carving Research Institute and the Italian cultural heritage protection agency have jointly carried out two projects successively, namely the “Chongqing Dazu Stone Historical Relics Conservation Center” and the “Protection of Sculptures in Shucheng Cliff in Dazu Rock Carving”, which have laid a good foundation for the long-term protection and research of Dazu rock carvings.

中意舒成巖項目開創(chuàng)文物保護“第一次”

2017年5月26日，大足石刻研究院與意大利威尼托文化遺產(chǎn)集群簽約，合作開展對市級文物保護單位舒成巖摩崖造像的保護工作。黎方銀介紹，這是大足石刻在文物保護修復(fù)領(lǐng)域真正的國際合作，首次將意大利石質(zhì)文物的保護經(jīng)驗第一次使用在大足石刻的市級文物的保護修復(fù)中。雙方專家共同應(yīng)用先進的技術(shù)，多科學聯(lián)合開展舒成巖摩崖造像的歷史溯源分析、無損及微損性取樣分析、修復(fù)、后續(xù)保護和維修等工作?！按饲半m然我們也與意大利合作開設(shè)了‘重慶大足石質(zhì)文物保護中心’，但是是以技術(shù)設(shè)備采購、人員培訓的形式進行的?！?/p>

Sino-Italian Project of Shucheng Cliff has initiated the “first time”in cultural relics conservation

On May 26, 2017, the Dazu Rock Carvings Research Institute signed an agreement with the Italy’s Venetian Heritage Cluster in order to jointly carry out the protection for Shucheng Cliff, the municipallevel cultural relic protection unit. Li Fangyin introduced that this is the first truly international cooperation in Dazu Rock Carvings in the field of cultural relics’ protection and restoration. That is to say, the experience of Italian protection for stone cultural relics will be used for the first time in the protection and restoration of the municipal-level cultural relics in Dazu Rock Carvings. Experts from both sides jointly applied advanced technologies and multiple sciences to jointly carry out historical traceability analysis, non-destructive and micro-damage sampling analysis, restoration, follow-up protection, and maintenance of Shuyan Cliff Sculptures. “Although we have also cooperated with Italy to set up a ‘Chongqing Dazu Stone Historical Relics Conservation Center’ before, it was only conducted in the form of technical equipment procurement and personnel training.”

中意交流促進完善大足石刻保護體系

黎方銀表示，在與意方的交流與合作中，大足石刻的保護體系得到不斷完善，保護理念得到不斷升華，保護修復(fù)技術(shù)水平得到不斷提升，也豐富了我們保護文化遺產(chǎn)的國際經(jīng)驗。

他舉了一個例子，在我國以往的文物保護修復(fù)工作流程中，將所有的保護工作都認為是一個整體，同一個技術(shù)團隊既要進行病害診斷又要研究保護治理，而意大利各個領(lǐng)域?qū)＜覄t是有非常明確的劃分，盡最大可能保證每一個領(lǐng)域的專家的專業(yè)程度?！巴瑫r，意方專家也更加重視文物修復(fù)人員自身的嚴謹工作與自我保護，‘只有保護好自己才能更好地去保護文物’?！?/p>

Sino-Italian Exchanges Promote Improvement of Dazu Rock Carvings Protection System

Li Fangyin said that in the exchanges and cooperation with Italy,the protection system of Dazu Rock Carvings has been continuously improved, the concept of protection has been constantly upgraded,and the level of protection and restoration technology has been ceaselessly promoted. It has also enriched our experience in the protection of cultural heritage at the global level.

He gave an example to the reporter. In the past, the protection and restoration process of cultural relics in China takes all the protection work as a whole. The same technical team needs not only to perform diagnosis of deterioration and corrosion but also to learn how to protect and treat. In contrast, Italian experts in various fields have a very definite division and do their best to ensure the professionalism in each field. “At the same time, the Italian experts pay more attention to the rigorousness of their own work as well as self-protection. ‘Only by protecting themselves well can better protect the cultural relics’.”