藝象國(guó)際藝術(shù)社區(qū)，深圳，中國(guó)

藝象國(guó)際社區(qū)的前身是深圳大鵬半島葵涌社區(qū)的鴻華印染廠的后工業(yè)遺址，曾經(jīng)紅火的現(xiàn)代化廠區(qū)現(xiàn)在儼然成為一個(gè)沒落的工業(yè)“衛(wèi)城”。藝象iD Town的建造構(gòu)想也就從“衛(wèi)城”的遺址感開始。藝術(shù)區(qū)的營(yíng)建試圖在遺址現(xiàn)場(chǎng)找尋失去了的集體生活記憶和潛藏的古典情懷，回歸場(chǎng)地自然和構(gòu)筑自身的“本源”藝象“城邦”初始建立的3個(gè)集體空間：第一個(gè)是位于“谷城”漂煉車間之中的“折藝?yán)取保坏诙€(gè)是內(nèi)置于“谷城”整裝車間廠房中的滿京華美術(shù)館；第三個(gè)是位于“山城”上的集體旅舍。建筑的更新介入并未破壞原有建筑結(jié)構(gòu)，連接場(chǎng)地與生活的自然景觀依舊保留，新的空間植入注重塑造多重內(nèi)外空間邏輯，建立豐富的交往空間?！?/p>

In 2012, the local authority decided to transform the vacant Honghua Dyeing factory to an art & cultural commune in the ecologically reserved coast area of east Shenzhen.

In Phase I, three buildings were transformed:former purification workshop building as small art-café plus artist studios (Z Gallery), former packaging workshop as art museum and former #2 workers’ dorm building as youth hostel. In addition to building reconversion, new landscaping elements have also been cultivated from the ruined site to reconnect the arti fi cial space with nature. Considering a tight budget of the project, the architect tried to minimise the new intervention and maintain the historical authenticity of the site. All newly built contents are carefully implanted into the existing building envelopes to create a new multi-layered spatial/time logic into the industrial relic, rede fi ning indoor-outdoor relation.□

項(xiàng)目信息/Credits and Data

設(shè)計(jì)團(tuán)隊(duì)/Design Team: 董京宇，Thomas Odorico，陳曉霖，鄧敏聰，梁耀波，劉洋/DONG Jingyu, Thomas Odorico, CHEN Xiaolin, DENG Mincong, LIANG Yaobo, LIU Yang

建筑面積/Floor Area: 7563m2

建成時(shí)間/Completion: 2014

攝影/Photos: 張超/ZHANG Chao

1 美術(shù)館/Art Museum

2 總體軸測(cè)/Overall axonometric

3 青年旅社/Youth Hostel

4 折藝?yán)绕拭?Section of Z Gallery

5 折藝?yán)绕矫?Plan of Z Gallery

6 美術(shù)館剖面/Section of Art Museum

7 美術(shù)館平面/Plan of Art Museum

8 青年旅社剖面/Section of Youth Hostel

9 青年旅社首層平面/Ground fl oor plan of Youth Hostel

10 青年旅 社二 層平面/1st fl oor plan of Youth Hostel

11 青年旅社四層平面/3rd fl oor plan of Youth Hostel