武藏野美術(shù)大學(xué)美術(shù)館·圖書館，東京，日本

藤本壯介/Sou Fujimoto

武藏野美術(shù)大學(xué)美術(shù)館·圖書館，東京，日本

藤本壯介/Sou Fujimoto

Musashino Art University Museum & Library, Tokyo, Japan, 2010

1-4 圖解/Diagrams

5 草圖/Sketch

這個項目是日本一所著名美術(shù)大學(xué)的新圖書館。項目設(shè)計了一座新的圖書館，并將現(xiàn)有的建筑改造為美術(shù)館，以新的方式將圖書館與美術(shù)館融為一體。

我在構(gòu)思圖書館的建筑要素時想到了書、書架、光和場所。在我的想象中浮現(xiàn)出一個由螺旋形書架環(huán)繞的場所。這個包圍在無限螺旋中的空間就是圖書館。有著巨大開口的9m高墻層層疊疊，猶如一座無邊無垠的書林。螺旋書架不斷攀升，最后成為包圍場地邊緣的外墻，使建筑的外觀具有與“書架圖書館”相同的基本構(gòu)成。

檢索與探索是圖書館設(shè)計的兩個明顯的內(nèi)在矛盾。檢索在本質(zhì)上就是為找到特定書籍進(jìn)行的系統(tǒng)化空間布局。即使在谷歌時代，在圖書館中找書的感受也有賴于實體書的排序和布局。與研究相對的概念是探索。來到圖書館的意義也在于空間給讀者帶來的發(fā)現(xiàn)。人們會感到空間在不斷更新變化，從中發(fā)現(xiàn)未知的關(guān)系，并在新奇的領(lǐng)域中得到啟發(fā)。

為了同時表達(dá)這兩個概念，就要運用系統(tǒng)學(xué)之外的空間布局邏輯。輻射與旋轉(zhuǎn)兩種對立路徑形成的螺旋狀動線使這對矛盾體得以共存。旋轉(zhuǎn)路徑的兩極化布局實現(xiàn)了檢索功能，而無數(shù)圈層通過向外輻射的孔洞產(chǎn)生了在無邊無際的書中探索的意向。

于是，人們能隱約地感受到圖書館的完整存在，同時又可以想象有很多未知的空間層疊不斷。□（尚晉 譯）

This project is a new library in one of the most distinguished art universities in Japan. It involves designing a new library building and transforming the existing building into an art gallery, which will ultimately create a new complex of the Library and the Art Gallery.

When I thought of the elements which compose an ultimate library, they became books, bookshelves, light and the place. I imagined a place encircled by a single bookshelf in the form of a spiral. The domain encased within the infnite spiral itself is the library. Infnite forest of books is created from layering of 9-metre-high walls punctuated by large apertures. This spiral sequence of the bookshelf continues to eventually wrap the periphery of the site as the external wall, allowing the external appearance of the building to share the same elemental composition of the bookshelf-as-the-library.

Investigation and exploration are two apparent contradictions inherent in the design of libraries. Investigation is, by definition, a systematic spatial arrangement for the purpose of fnding specifc books. Even in the age of Google,the experience of searching for books within the library is marked by the order and arrangement of the physical volume of books. The opposing concept to Investigation is the notion of Exploration. The signifcance of library experience lies also in discovering the space engendered for the users. One encounters the space as constantly renewed and transforming, discovers undefned relationships,and gains inspiration from unfamiliar felds.

To achieve the coexistence of the two concepts, spatial and confguration logics beyond mere systematics is employed. Here, the two apparent contradictions inherent in libraries are allowed to coexist by the form of spiral possessing two antinomic movements of radial path and rotational movement.The rotational; polar configuration achieves investigation, and the numerous layers through the radial apertures engender the notion of Exploration through an infnite depth of books.

One can faintly recognize the entirety of library and at the same time imagine that there are unknown spaces which are rendered constantly imperceptible.□

6 外景/Exterior view

7 內(nèi)景/Interior view

項目信息/Credits and Data

建筑設(shè)計/Architects: 藤本壯介建筑設(shè)計事務(wù)所/Sou Fujimoto Architects

項目團(tuán)隊/Project Team: Koji Aoki, Naganobu Matsumura, Shintaro Homma, Tomoko Kosami, Takahiro Hata, Yoshihiro Nakazono,Masaki Iwata

占地面積/Building Area: 2,883.18m2

總建筑面積/Total Floor Area: 6,419.17m2

設(shè)計時間/Design: 2007-2009

施工時間/Construction: 2009-2010

攝影/Photos: 阿野太一/Daici Ano, 武藏野美術(shù)大學(xué)美術(shù)館·圖書館藏/Musashino Art University Museum & Library