巴彥淖爾市臨河區(qū)政務(wù)服務(wù)中心，內(nèi)蒙古，中國

曹曉昕/CAO Xiaoxin

巴彥淖爾市臨河區(qū)政務(wù)服務(wù)中心，內(nèi)蒙古，中國

曹曉昕/CAO Xiaoxin

Bayan Nao'er Riverside District Administrative Service Centre, Inner Mongolia,China, 2014

1 草圖/Sketch

我畫畫，也畫圖。但畫建筑草圖的狀態(tài)對于我似乎更特殊，它既不是繪畫以創(chuàng)造唯美的圖象價(jià)值，也不是制圖，需要明確清晰的規(guī)范表達(dá)。當(dāng)?shù)谝桓€條清晰劃過紙面時(shí)，其實(shí)腦子是模糊的，飄忽不定的線條反復(fù)游移，紙上的圖像越來越混沌，自己反倒逐漸清晰起來。圖象和內(nèi)容都沒有預(yù)設(shè)標(biāo)準(zhǔn)，甚至只是留痕與記錄。所以草圖是自由、個(gè)性的，更像是不可理喻的圖象的詩。它可以用于和他人的交流，但其實(shí)它是私人的，因?yàn)楦嗟臅r(shí)候他只是畫給自己?！?/p>

I paint and make architectural drawings. But architectural sketches seem more special to me. Because it is neither art painting of aesthetic value, nor standard drawing of clear normative expression. When I draw the frst line on the paper, in fact, the image in my brain is very vague. With erratic lines repeatedly wandering on the paper and becoming more and more chaotic, a clearer picture gradually emerged instead. Throughout the process, I have no predicted pattern or content in my mind. Sometimes all I got was just the trace of scratch as a kind of record. In this way, sketch is a free and individual thing, and it is more like an unreasonable poetic image. Although it can be used to communicate with others, but it is private, in fact, because more often it is for myself.□ (Translated by QI Yiyi)

2 夜景/Night view

項(xiàng)目信息/Credits and Data

建筑設(shè)計(jì)/Arechitects：曹曉昕，李衣言，尚容，王文革/CAO Xiaoxin, LI Yiyan, SHANG Rong, WANG Wenge

攝影/Photos：張廣源/ZHANG Guangyuan