視覺(jué)與心靈的跳動(dòng)

Zhong Yican has devoted himself to the calligraphy for more than ten years. He not only absorbed the essence from the ancient masters， but also integrated his own innovations and formed his unique artistic style. Appreciating his artworks， we are astonished and deeply moved .

我與鐘義參先生結(jié)識(shí)十余年，今見(jiàn)其書(shū)法令我震撼和感動(dòng)，促使我提筆有感而發(fā)。其書(shū)法融合了古今名家之隸篆，“有法”“有我”跌宕起伏，情出于己，欹正相生，神接古人，筆隨意走，大化求真，既重傳統(tǒng)，又重創(chuàng)新，濃淡干濕，游刃有余，自成一格。

何以謂之？義參先生十幾年博采眾長(zhǎng)，融會(huì)貫通，追求高古典雅之意境，讀書(shū)讀字，苦修心性，力求“藝”與“道”之統(tǒng)一。臨習(xí)柳公權(quán)、顏真卿和歐陽(yáng)詢及“二王”諸家，更覺(jué)求新求變之重要。宋朝大書(shū)法家蘇東坡說(shuō)過(guò)：“隨人作字終后人，自成一家始逼真?！逼鋾?shū)法，點(diǎn)線剛?cè)嵯酀?jì)，遒勁奔放，字字費(fèi)盡千心力，句句由來(lái)意在先，尺幅能容大世界，耐人尋味耐人看。

“書(shū)法”，無(wú)古人不厚，無(wú)功而不實(shí)，無(wú)勤而不精，無(wú)氣而不通，無(wú)神而不妙，無(wú)博而不文，無(wú)性而不變，無(wú)知而不遠(yuǎn)，無(wú)久而不老。”這就是義參先生對(duì)書(shū)法藝術(shù)的感悟。俗語(yǔ)講：文如其人，字如其人。義參先生謙遜誠(chéng)樸，古道熱腸。正是由于其作品常登大雅之堂，他對(duì)自己要求也越來(lái)越嚴(yán)格，每天讀書(shū)寫(xiě)字從不懈怠。我相信，義參先生幾十年如一日對(duì)書(shū)法藝術(shù)執(zhí)著追求，一定會(huì)創(chuàng)作出更多更好的作品。

Zhong Yican was born in Laibin， Guangxi. Currently he is a member of Chinese Calligraphy Institute， a director and estimator of View Stone Association of China，a member of China Association of Collector， etc. He has created many excellent calligraphies and won various grand prizes. In his spare time， Zhong is fond of rare stones and often participates in stones appreciation activities and won some prizes.

鐘義參，廣西來(lái)賓市人，現(xiàn)為中國(guó)桂林中日友好書(shū)法碑林研究員、中國(guó)書(shū)法研究院藝術(shù)委員會(huì)委員、中國(guó)收藏家協(xié)會(huì)會(huì)員、中國(guó)觀賞石協(xié)會(huì)常務(wù)理事、鑒評(píng)師，廣西觀賞石協(xié)會(huì)副會(huì)長(zhǎng)、價(jià)格評(píng)估師。

書(shū)法作品先后參加全國(guó)性大展并獲獎(jiǎng)。在《殘奧運(yùn)動(dòng)會(huì)？愛(ài)心書(shū)畫(huà)作品集》、《中外名流書(shū)畫(huà)家》、《中國(guó)書(shū)畫(huà)報(bào)》等多家刊物發(fā)表作品。

習(xí)字之余，喜歡弄點(diǎn)石頭和印章石，看一看、摸一摸，以陶冶有點(diǎn)懶的心性，增加點(diǎn)情趣，參加一些賞石活動(dòng)。奇石作品分別榮獲全國(guó)性大展金銀銅獎(jiǎng)，并先后刊登在廣西《賞石文化》、中囯觀賞石《寶藏》等刊物。