伯納姆館—芝加哥城市風(fēng)貌的新與舊

地點(diǎn)：美國(guó)芝加哥千禧公園

時(shí)間：2009年

合作：Garofalo 建筑師事務(wù)所

結(jié)構(gòu)工程：Chris Rockey

照明安裝：Daniel Sauter, Tracey Dear

攝影：?Christian Richters

Location: Millenium Park, Chicago, USA

Time: 2009

Collaborator: Garofalo Architects

Structural Engineering: Chris Rockey

Light Installation with: Daniel Sauter, Tracey Dear

Photography: ?Christian Richters

位于千禧公園中部的伯納姆館，一側(cè)是密歇根湖，另一側(cè)是密歇根大道，它使得城市的內(nèi)涵、項(xiàng)目和規(guī)模都更加多元化?；诘刂返奶貏e之處，伯納姆館的設(shè)計(jì)與嚴(yán)謹(jǐn)?shù)膸缀涡螤钣兄⒚畹年P(guān)系，但它也引出了漂流的、多方向的空間。伯納姆亭與城市的紋理、千年公園如織的游客相適應(yīng)，最重要的是為公園和城市周邊引入了多元化的景觀。伯納姆館的墩座和房頂起初是水平的，周邊向兩側(cè)開(kāi)放。從設(shè)計(jì)結(jié)構(gòu)上來(lái)說(shuō)，亭子吸引人們聚集過(guò)來(lái)，在周圍散步或穿過(guò)亭子、探索并觀察。伯納姆館是雕塑的、非常容易進(jìn)入，其功能作為城市活化劑。

Placed in the middle of Millennium Park and framed by Lake Michigan on one side and Michigan Avenue on the other, the Burnham pavilion relates to diverse city-contexts, programmes and scales. Based on the specificity of the site, the design of the pavilion develops an elaborated relationship to the existing form of a rigid geometry but it also introduces a floating and multi-directional space. It orients itself to the city texture, to the flows of visitors exploring Millennium Park and most importantly introduces diverse vistas towards the park and city surroundings. The pavilion is open towards its sides in between two at the outset horizontal planes of a podium and a roof. Programmatically the pavilion invites people to gather, walk around and through and to explore and observe. The pavilion is sculptural, highly accessible,functioning as an urban activator.